Created through collaboration between Sebastien Leoon Agneesens, New York-based French musician and artist, and Situ Fabrication, the sculpture was produced as an exhibition piece for B Brian Atwood’s New York showroom. Named after a medieval mythological poisonous snake, the Leontophone is a sound sculpture aiming to poetically hypnotize its audience through visual and sonic stimuli.

Born from the encounter of op art and glam rock, the 32-foot long piece is composed of 174 mirrored aluminum keys reflecting distorted images of reality. The Leontophone plays a looped original melody created on a vibraphone filtered with electric guitar pedals.

The sculpture consists of 174 hexagonal, polished aluminum tiles which form a 30 ft. long serpent-like figure. To fix each individual tile in a precise location and angle, Situ Fabrication designed a plywood armature that supported threaded rods with swivel fittings.  The positions and lengths of the threaded rod as well as the angle of the swivels were all coordinated so that the complex, tessellated form could rise from a simplified plywood armature. Read the rest of this entry »

The building which will house the future Bordeaux Centre of Wine Culture and Tourism is a giant whirlpool, a decanter shaped by the undulating movement of wine being poured into a glass. Designed in the cooperation between the French architectural firm X-TU Architects and the British Casson Mann, the Cultural Center aims to be a major institution dedicated to the culture and diversity of wine.

Located on the banks of the Garonne river, in the wake of the historic wine trade, the 47 meters high building occupies 10.000 square meters plot. Nearly 4.000 square feet of permanent and temporary exhibition spaces also contain tasting „poly-sensory“ rooms facing the river and overlooking the town and the vineyard. With its wooden structure, the building seeks to honor the sensory experience and flexibility of wine. Read the rest of this entry »

The project is located in the Iranian city of Semnan, and acts as an extension of the existing university campus. Taking a pivotal role in the complex and acting as a vibrant social hub, the added structures are two separate buildings – an auditorium and a library. The buildings pertain to the same architectural articulation, while creating different spacial characteristics. The dynamic and welcoming spaces of the auditorium are juxtaposed with the calm environment of the library. The achitectural dialogue creates a academic context that encourages interaction and learning. Read the rest of this entry »

The project explores principles of responsive structures, installations that interact with users through a combination of motion sensors and various other electronic components. The Succulent Hispid marries biological and technological mechanisms, evolving into a hybrid lighting system mimicing the movements of petals. It is inspired by succulent plants and their ability to retain water, thus adapting to arid climates or soil conditions. Designed by UCLA students Harlen Miller, Francesco Valente-Gorjup and Jordon Gearhart, the installation is an emotionally charged, interactive, electro-material object.

The petals are made of plastic, with acrylic substructure and silicone membrane lining. The surfaces are covered with metal pin hairs. Combined with silicone inflatable bladders, they hide the LED lights that emanate a central glow. When approached, the Succulent Hispid senses one’s proximity and closes up, exposing its outer skin in defence. Read the rest of this entry »

Commissioned by the Centre Pompidou for its permanent collection, the wooden model suspended within a glass case explores the principles of responsive architecture. When the humidity level within the case rises, the system reacts by ventialting the air without any equipment or electricity.

The project is a result of a five year long research, exploring architectural systems that respond to climatic changes without any additional technology. The breathing of the structure is enabled by using wood and relying on anisotropy (physcical properties related to grain direction), and hygroscopicity (wood’s ability to absorb moisture when dry and releasing moisture into the atmosphere when wet). The sensitivity to moisture generates shape changes. Read the rest of this entry »

Anticipating the unpredictable climate conditions, the future Thai house is composed of different  levels of resilient segments. It allows water to flood an entire area, without causing damages. The roof is a detachable element that can become an emergency floating structure, once the water gets too high for residents to survive in the house. On regular circumstances, the roof is a terrace with a garden. Read the rest of this entry »

The site-specific installation for the roof of the Metropolitan Museum of Art in New York is part of a larger body of work, experimenting in space, social relations and collectivity. The geodesic dome has been built from sixteen interconnected modules in the Museum’s Iris and B. Gerald Cantor roof garden, measuring fifty-four feet long, twenty-nine feet wide and twenty-eight feet high structure. The angular and bubbled form of the piece is comprised of glass segments cut in non-identical geometric shapes held in place by steel joints, reinforcements and steel cables.

The structure consists of a 28-foot-high aggregate of 16 interconnected 12- and 14-sided polyhedrons the size of small rooms that are made of polished steel and clear plexiglass. By being reflective or see-through, they deform and rearticulate the experience of the structure and everything around it. Read the rest of this entry »

The “ecological model project” designed by LAVA is a proposal for the ‘Green Climate Fund Headquarters’ in Bonn, Germany. The future structure will be situated along the rhine river within walking distance of several system departments, including the federal ministry for the environment, nature conservation and nuclear safety and economic cooperation and development. With a design inspired by the setting in the Rhine valley, and with curvilinear forms, nature light wells, roof top gardens and a large sunken terrace for the restaurant, the three-level structure will comply with the latest energy and building ecology standards, meeting the highest demands in terms of sustainability (German Gold Certificate), ecology and energy efficiency.

Besides functional offices with state-of-the-art office technology, planning includes an access and logistics area with security controls and a visitor reception zone, an auditorium, a conference room, a canteen/cafeteria and an underground car park. The Fund will provide input on the functional division of areas to create optimal working conditions. Read the rest of this entry »

Attempting to assume a fresh approach to digital fabrication, the project combines indigenous, traditional craft techniques of Marrakech with current algorithm software programming. Traditional Moroccan weaving  techniques are used to render physical the forms designed in programs such as Rhino and Grasshopper. The process is, as the architects state, a nonlinear one, going back and forth between the physical and the digital.

The Moroccan weaving technique involves a wood frame loom and a process of organizing wool or cotton yarn into an array of linear lines of yarn warped through a loom weaving and tying in order to produce a woven fabric surface. The frame of the loom is recognized as a deployable architectural element, holding the yarn in place as a series of parallel lines that form a surface. These surfaces are actually three-dimensional volumes stretched over a series of fixed frames. The ultimate site for our work, the ruin at the Mosque Koutoubia, informs and locates the proposed project and establishes a scale for the work. Read the rest of this entry »

The project was designed as a temporary event space, located on a roof in NYC. Part of the MINI’s “Creative Use of Space” campaign, the project was designed and its construction oversaw by architects at HWKN. It is heightened by the design elements characteristic of BMW’s Mini Cooper cars.

The roof combines natural and artificial elements. An organic hill is suspended in an abstract architectural grid. The design is a collection of elements that punctuate the ubiquitous grid: a grassy lounging hill with seating dimples and performance stage, a speakers’ platform embedded in a large scale existing billboard, a lighting tower to cast light on the space and to act as a visual icon on the skyline, and a panorama bar overlooking the Hudson River. The floor is animated with a LED carpet that turns the surface into a programmable horizontal billboard. At an architectural scale, objects like the bar, hill, platform, and light tower float within the grid pattern of the light carpet. Read the rest of this entry »