Rui Liu | L-U-D Studio’s design for UN Environmental Conference Center for Latin America, in architect’s own words, highlights the negative outcome of the rapid urbanization throughout fast growing countries, such as Brazil, India or China – the indifference to integrated-design of how we utilize water. In the research, Liu went step back, in order to re-investigate the need of the built environment to engage with the requirements of water management, at a local scale. The design is a part of the final theses at Bartlett School of Architecture.

The investigation is set in Rio de Janeiro – one of the most dramatic cities in the world, culturally diverse, with great economical potentials, and social identifications. Versatile Conference center, whose form and spatiality is governed by water construction and dissipation can be easily modified to serve numerous requirements, from meeting spaces, cultural performance platforms to private conferences. Using the recycled water, metaphorically and functionally, materializes the challenges of the developing country’s political transparencies. Read the rest of this entry »

Skidmore, Owings & Merill was invited to re-imagine New York’s iconic Grand Central Terminal, in honor of its 100^th birthday. Led by partners Roger Duffy, FAIA and T.J. Gottesdiener, FAIA, SOM’s proposal, presented at the MAS 2012 Summit, highlights three solutions: pedestrian corridors for increased circulation, additional levels of public space and most groundbreaking of all – circular floating observation deck, rising above the Terminal, providing 360-degree panorama of the city. This design challenge happened at the moment when the rezoning proposal from the New York Department of City Planning took place, which, if approved, would encourage increasing the density around the station, along with the development of new office towers.

The surprising moving deck, sliding up and down the sides of two new skyscrapers, has actually been presented as a logical response to New York’s present urban condition – Roger Duffy argued that throughout the history of the city, urban growth has always been matched by grand civic gestures. At SOM, they further suggested that the hovering deck would necessarily provoke the improvement of the public space around the office buildings, while offering a new iconic landmark. The suspended deck would move vertically, bringing people from Grand Central up to the top of New York’s skyline, offering striking experience and view over 21^st-century Read the rest of this entry »

Naves, the proposal for a temporary pavilion for the city of Mons, Capital of Culture in 2015, addresses a contextual relationship to the gothic surroundings as an exploration on lightness and transparency.

Historically, the gothic edifice, by reducing the building to its bare bones, shows the perfect expression of lightness as the manifestation of light itself. It reaches transparency as it allows the penetration of light to the point of incorporating it. The lightest pillars, the lightest arches, the lightest vaults, the lightest structure: the lightest building as the glorification of light. A complex meshwork of linear elements based on the ogive and tending to maximum permeability and minimum weight, the gothic churches were buildings belonging to the sky. They are the house of light and allow, through its openings, for its very manifestation.

Inspired by this historical context, this project explores structural and material logics to revisit the gothic arch; the ‘curve’ is examined as a bending element caught within a woven collaborative structure of glass fiber tubes, in which the use of compression is exchanged by the one of tension for the building to achieve maximum lightness. The benefit of the technological system lies in the optimization of materials and the minimal footprint that the building possesses. Combined with recyclable materials such as a wooden deck and partitions, as well as a temporary etfe skin, most of the construction elements are entirely reusable. Read the rest of this entry »

International practice Sériès et Sériès has recently revealed their proposal for Piraeus Antiquities Museum, designed in collaboration with Studio Touraine, Tajima Open Design Office and ARUP.  The design was directed by firm belief in the effect of the extraordinary and in the fact that the key for the successful museum lies in the ability to inspire visitors, create wonder and enhance the experience beyond the common and easily consumed in favor of stimulating, the daring and the whimsical.

The aim of the entry was to reactivate the port into a social and cultural hub, while preserving the initial atmosphere of the industrial context. Placing the program of the museum on top of the original building was un-invasive to the existing structure and more beneficial to the exhibition design. That way the original building retains its character, being integral part of port’s long history, while avoiding the waste demanded by rebuilding of new developments. Original silos are kept open, showing the industrial process in its beauty, concrete roughness and modern simplicity while the new container facilitates museum artifacts, preserving both the exhibition pieces and the found unique places. Read the rest of this entry »

Hadid Tower for CityLife, Milan is one of three towers which represent the future business and shopping district in the heart of city – central historic Fiera area. While other two towers were designed by Arata Isozaki and Andra Maffei – “the straight one” and Daniel Libeskind – “the curved one”, “the twisted one” designed by Zaha Hadid features a dynamic vertical twisting motion that enhances the perception and views of its urban surroundings. Three towers are part of the wider redevelopment program of this historical trade fair area of Milan, one of the largest pedestrian zones in Europe. In order to be enjoyed on foot or by bicycle, the traffic in this district is circulating only underground.

CityLife, new, modern and progressive district, provides its inhabitants with new model for work and leisure. Hadid Tower, currently under construction, creates a portal to Fiera Milano – 43-storey, 190 meters high retail skyscraper is emerging from the site, giving shape to a torsion due to its slow rising and twisting from the base. The aim was to release horizontal energy into vertical, spiraling vector mimicking snaking forms of the housing across. Read the rest of this entry »

Couple of days ago, London Mayor Boris Johnson, joined by building’s architect Renzo Piano, cut a ribbon to the viewing platform, positioned 243 meters up The Shard skyscraper, standing next to London Bridge Station. Recently opened attraction, The View from The Shard, accessed directly from an entrance on the ground level, is expected to attract over half a million visitors each year.

The very building, magic for a number of reasons, as its architect stated, has been completed since the summer of 2012, but officially opened to public of February 1^st, 2013. Formally named “The London Bridge Tower”, this mixed-use skyscraper is home to a large number of programs. Designed as a “vertical city”, this London skylines’ newest addition addresses the city’s growing population and need to maximize the space.

The semi-public, ground level houses a public piazza with restaurants, cafes and areas for art installations. Triangular-shaped, building facilitates 55,000 square meters of offices, three floors of restaurants and 200-room Shangri-La Hotel, which is due to open this summer. Moreover, ten luxury apartments are expected to be priced £50 million each. Ventilated winter gardens add luxury to the exquisite office spaces with striking views.

Generous at the bottom, the building is getting narrower to the top, disappearing in the air almost like a pinnacle of the Gothic cathedral. Its architecture is firmly based in the historic form of London’s masts and spires, elegantly reinterpreted by great Piano. Active envelope is enabled by sophisticated use of glazing – expressive facades of angled panes are designed to reflect light and changing patterns of London sky, therefore the form of the building will change according to the weather or seasons. Read the rest of this entry »

Following the long tradition of exquisite Indian Architecture, architects from Dubai based WS Atkins aimed to design a building that would stand as a landmark structure for Mumbai – Namaste Tower represents burgeoning economic and cultural significance of great India. This 62-story, 300m high, newest addition to W Hotel franchise, currently under construction, will include a hotel, office and retail space. The very form of the building is inspired by traditional Indian greeting of “Namaste”, where the hands are clasped together. Reflecting ancient Indian expression, position of two hotel wings represents ultimate symbol of hospitality, welcoming its guests.

Ultra high, the tower will be seen from great distance, therefore the visual appearance of the project is of great importance to the city of Mumbai. The orientation and massing of this skyscraper were designed to benefit from visual relations with the Indian Ocean, Mumbai Peninsula and to adjacent towers, currently constructed.

Guided by the imperative to design the circulation areas of the hotel as impressive as the rooms itself, architects created internal gardens, bringing the greenery into the corridors and atrium spaces. On corridor ends an open spaces offer dramatic and framed view over the city.

As the tower has been designed to offer gala wedding space for Indian Mehndi ceremony, traditional Indian patterns appear as a theme on the building skin. The tower will be clad in fritted glazing, creating sense of transparency and depth to the building, while maintaining required thermal qualities. Regarding the energy efficiency, large scale canopies support solar thermal collectors, with the potential to provide 12% of the energy required to heat the hot water in the hotel. Read the rest of this entry »

The ProtoHouse project was initially developed by Softkill Design, in the Architectural Association School‘s Design Research Lab within the ‘behavioral matter’ studio of Robert Stuart-Smith. It investigated the architectural potential of the latest Selective Laser Sintering technologies, testing the boundaries of large scale 3D printing by designing with computer algorithms that micro-organize the printed material itself. Softkill is now announcing plans for the first actually printed plastic dwelling, which would be assembled in one day.

Market-friendly, one-storey ProtoHouse 2.0 will be eight meters high and fours meters long. This pioneering experiment will be printed in sections in a factory where the fabrication of all pieces will take three weeks. The parts will be small enough to be easily transported in vans and assembled in 24 hours, on site. Extremely light, they simply click together, therefore there’s no necessity for any other material or any bolting, screwing or welding on site.

Due to the ambitions to develop highly optimized prototype, micro-material algorithms were run on sections, in order to test out their performative aspects. The tests resulted with specific density of external branching, which can diffuse light, act as a rain screen or snow collector and insulator. Unlike its precedents in 3D printed structures, which used sand or concrete, Softkill collective insisted on lightweight materials, such as bio-plastics, enabling great level of detail and allows possibility of printing all architectural elements, down to stairs, façade and furniture. Read the rest of this entry »

Ma Yansong of Beijing-based MAD Architects designed latest architectural spectacle in China – the “Sheraton Huzhou Hot Spring Resort”, one of fifty new branches planned by Chinese-based Sheraton Hotel chain, as a part of their strategic aggressive expansion in 2013. Probably the most striking, Sheraton in Huzhou is an unforgettable, enormous ring-like structure, form of layered floors, rising from the south bank of Taihu Lake.

Over 100 meters high and 116 meters wide, this outstanding hotel experience covers an area of 75 acres, providing 321 rooms – 40 suites, 37 villas and presidential suites. The investment of 1.5 billion dollars shows the importance of this endeavor, resulting with total floor area of 95 000 square meters.

Thoughtfully designed, this impressive hotel represents the optimal response to the site parameters and the context in general. Fundamental to the logic of the unique shape of this impressive yet bold design is the idea that the building is comprised of hotel rooms that demand ample natural light and cross ventilation. Moreover, its horizontal section and form ensure view of the lake for every room, regardless of its position. The metal façade becomes live at night – LED light system on the envelope displays colorfully animated textures and patterns, further reflected on the lake surface, creating playful and aesthetically pleasant atmosphere. Read the rest of this entry »

Skidmore, Owings & Merrill’s Infinity Tower in Dubai began construction in 2006 and seven years later the works are almost complete. In architects’ own words, the design for the Tower exemplifies their belief that the exterior form of a high-rise should be a direct expression of its structural framework. In their understanding, great architecture must be more than skin deep and that is reflected as powerfully today in Infinity Tower as in such SOM 20th century landmark designs as Lever House, Sears Tower and John Hancock Center.

The building’s unique, elegant form is its most visually striking feature, reflecting ever-changing shapes of the deserts, winds, and seas that surround it. Positioned perpendicularly to the sea, the building gradually rotates 90 degrees – each floor is rotated 1.2˚ to create a full twist from bottom to top, while maintaining a consistent floor plate. The design had to overcome extreme climate conditions, by efficiently controlling intense desert heat and this winding shape protects interior from the sun, while helps providing excellent views for its residents. Metal panels and screens cladding ensures additional shade from the intense Arabic heat.

The structural system of this 73-storey high skyscraper is a high-strength reinforced concrete column superstructure, cast-in-place. The shape and size of the columns were determined by wind tunnel testing and three dimensional computer modeling to analyze the building’s stresses. Read the rest of this entry »