Christos Koukis designed this project at the University of Patras, Department of Architecture under the advice of professor Vasilis Stroumpakos. Metaplasia comes from the greek word ‘μετάπλασις’ (mĕ-tap′lă-sis) which means change in form. As a scientific terminology is being used in cases where a cell type is not robust enough to withstand a new environment and so it mutates in another type more adapted to it. Read the rest of this entry »
As homes are becoming abandoned and foreclosed at an astonishing rate, suburbs are becoming a new safe haven for squatters and thieves. The “haunted house”, once reserved for homes on the territorial fringe, is making its way rapidly into suburban America. What you can’t see may kill you. The paranoid neighbor(hood).
There is an element present in all good horror/suspense films, an extreme feeling of discomfort and paranoia, something that works subliminally beneath the surface. Psycho, Paranormal Activity, Poltergeist…all of these movies play upon the fear of the unknown. The scariest monsters are the ones you never see, or perhaps only see glimpses of. The feeling of unease, or the uncanny, runs parallel to that of seduction. I’ll just show you a little. A tease. The promise of something is always more poignant than showing it outright. But what about when you finally see what you fear, what you lusted after, can the process be transformative? Can a glimpse of what may seem unsettling metamorphose into beauty? Read the rest of this entry »
The theme of the 2012 International Exposition in Yeosu, South Korea, is “The Living Ocean and Coast”. As a response, architects at MVRDV have designed a pavilion that will contribute to raising awareness of the fragility of ocean ecosystems. The building is a kind of aquarium, a glass structure made of water basins that surround the central void. The idea was for each of the basins to display specific aspects of the ocean-the deep see, the tropical waters, the mangroves, reefs-entertaining and educating the public.
The structure is devoid of columns. The walls of the cube bear all weight, acting also as a thermal insulator for the inter object. Their latter function is particularly interesting, as it presents an empirical proof of the oceans importance as regulator of the world climate. Structural support elements are integrated within the walls. The water pressure and weight of the basins are additionally supported by using double-layered glass. Read the rest of this entry »
Located in Warsaw city centre, the new MoMa Museum would be a landmark cultural institution for the new millennium. Designed by Finish ALA Architecture, the building is a strong statement, capable of challenging the iconic status of the neighboring Palace of Culture, built in the Soviet-era.
The project uses reflectiveness and transparency to create contrasting effects, responding to the definition of exhibition spaces, as well as to the surrounding urban fabric:
“The project has only two surfaces. The glass wall represents and enables the digital world of direct, location-independent communication. It works locally as a gigantic shop window and display board, utilizing visual communication methods from transparency to manual manipulation and digital projection. It reveals, protects and enhances the physical, “real” art behind it. Read the rest of this entry »
There is the idea of floating in space: the impression of walking on air that is achieved by creating a network of balloons, suspended on spider webs. Technically, the project resembles Buckminster Fuller experiments on geodesic domes. There is also another layer to the exhibition: the idea of being able to physically experience the effects of somebody else’s movements in space. The concept evolves from an idea of coordinating behaviour and environment, without the didactics of the current environmentalist approach. The body is exposed to physical changes in the environment, directly caused by another human being. The installation explores what the author calls “a realizable utopia”.
The exhibition “Cloud Cities” is currently placed in the Hamburger Banhof in Berlin. Visitors are free to enter around 20 balloon models of various sizes-sort of a hanging settlement. The transparent balloons are accessible through ladders. Seen from underneath, people seem to be walking on air. Read the rest of this entry »
Singing dunes is a phenomenon found exclusively in desert environments. “The sounds are produced when grains drum against one another; exciting elastic waves on the dune surface of the sand bed acts like the membrane of a loudspeaker.”The sounds resemble the beating of a drum or the noise of a low-flying jet. They can be heard up to 10 km away.
The skyscraper was designed by Barbara Leonardi and Oliver Dibrova as part of Hani Rashid Studio. The main inspiration was found in a phenomenon of singing dunes. Hypothetically located in Dubai, the project is a hybrid space, with diverse surfaces representing different programmatic conditions. A spiraled structure continues the public space and contains four plugged in hotel-units, which can act independent from each other and are specialized on diverse topics (business hotel, recreation hotel, sports hotel and city hotel). Read the rest of this entry »
This project designed by Cheng Gong and Jinming Feng received a honorable mention at the International School Museum of Flamenco Competition. Flamenco is one of the traditional Spanish dancing arts that still exists and is actively practiced. Its most impressive aspect could be found in the strong rhythm that is generated between the synthetic reaction of music and dancing.
Based on the inspiration of the articulated expression of ancient ornamental iron patterns as well as the order of the columns and arches in Spanish churches, the architects’ strategy is to re-appear the exuberant atmosphere within the context. Architectural programs are mainly defined by the columns and the fluid partitions offset from the outer domain. At the same time, a more active and dynamic roof and vertical sub-structural system grow from the regular column matrix with the purpose of not only forming a highly rhythmic sound wave cover but also extracting people from the surroundings and gathering them into the site to have an interactive moment such as dancing and communication. The transformation of shading and light effects emphasizes the comparison between the columns and the mutated roof. Read the rest of this entry »
Presented at the recently closed Vienna Design Week, the self-powered chair is an object which brought a lot of media attention to its creators. Novague is a Prague based design studio founded in 2008 by Petr Novague. Their design philosophy evolves around the concept of energy, also the key aspect of their Rocking Chair design. The aim was to create a widely used object that would be able to produce energy as a by-product of its exploitation. Eventually, a rocking chair design was decided upon, connecting the act of relaxing to the process of producing energy. A simple steam engine like kinetic mechanism is set under the seat which works with a sliding lever that pulls a flywheel disc while the chair rocks. Read the rest of this entry »
Anisotropia is based on Klavierstück I, a composition for piano by Orproject director Christoph Klemmt. The piano piece uses a twelve tone row which is repeated and altered by the different voices, in order to create complex rhythmic patterns. Anisotropia becomes the physical manifestation of Klavierstück I, a frozen piece of music. The installation is based on a simple strip morphology instead of a twelve tone row, which creates the structure, openings and rhythm within itself, its repetition happening in space instead of time. Layers of the strips form the wall system, and the shifting and alteration of these patterns results in the formation of complex architectural rhythms which are used to control the light, view and shading properties of the structure. The system has also been used for our design proposal for Busan Opera House. Read the rest of this entry »
The design uses light and sculptural space in order to illustrate different aspects of druguse. It doesn’t include conventional tools accompanying similar events. It aims to become a mind-opening experience whose architecture lures the visitors in. Through the creation of a hallucinogenic space, chance is given to discuss drugs. Space, light and sound is interacting with the visitor, giving a personal experience created by the visitors movement and mindset. Only one person is allowed inside at a time and may stay for as long as he/she wants to.
The installation contains three continuously linked spaces – pleasure, repetition and awakening. Entering the first space, the door is shut behind the visitor, who is given beauty and tranquillity. Soft, crystalline music and subtle light phenomenons, bring peace and pleasure. Sliding into the second space, the surroundings are closing in around the visitor. A harsh sound and light environment is brought on the person, who is deprived of direction and is given heaven and hell in a quick rhythm. In the last space the visitor starts to reach for reality and a numbing bass is growing through the body, giving a will to leave for solid ground. The wooden floor hide triggers that activate different scenes manipulating the subjects experience of the journey through the container. Thus reflections on drug use and abuse are raised. Read the rest of this entry »