Do you have a BIC ballpoint pen? Almost everyone does! It is the most famous and best-selling pen in history. About 60 pens are sold every second. Its success relies on its affordable price point, reliable ink refill, and worldwide availability.

California pen company ēnsso just unveiled a premium, yet affordable pen for all classic BIC ballpoint refills. The pen is machined from solid bars of space-grade aluminum and natural brass. The lightweight aluminum version is anodized in matte black for an understated and elegant aesthetic while the brass edition is heavier and offers a more tactile experience.

Both pens are exclusively available on Kickstarter for $29.

Photo provided by London art-architecture studio Atmos and shows ‘Dreamscape’, a new room at the Ice Hotel Sweden.

London art-architecture studio atmos has just opened Dreamscape, a new type of hotel room for a new type of Ice Hotel – the ‘365’ at ICEHOTEL Sweden, which will offer its guests icy escapes all year round.

Dreamscape presents an entirely new form of art suite, physically dramatising the mental journey into sleep and dreams.

A carpet of ice welcomes the visitor at the door, and whisks them up a dramatically curling ice stair (imprinted with an intricate unfurling pattern of radiating ‘grip’ grooves), widening to become a welcoming bed held aloft far above the floor.

Ice tentacles burst from the rear wall of the room to frame the bed, curling downwards as sculptural columns that bury into the snowy floor, or as pincers that carry the stair treads towards the door. Read the rest of this entry »

The integration of the Passive House certified museum Kunstmuseum Ravensburg into the fabric of a medieval city challenges the identity of architecture by bridging 500 years of vernacular with a single gesture. The museum maintains the German city’s fabric with a nod in materiality and form, but resolutely avoids mimicry or nostalgia. If you quickly walked passed it you may not even recognize it is of our era. The barrel vault roof relief and rich, historical brickwork allow the mass to slip into the old, dense neighborhood with only a whisper and wink of the contemporary on the outside. Read the rest of this entry »

Johan Voordouw and Aisha Sawatsky have completed 12 digital etchings currently exhibited at the Rotterdam Kunsthal for IABR 2014 “Urban by Nature” biennale. Each etching contains a folly that articulates a specific weather condition. The project explores how shifts in climatic patterns will have a resultant cultural affect. Each of the twelve drawings expresses a weather condition, an activity, a different month and one of the Netherland’s twelve provinces. Therefore, the project is a reflection of the country as a whole, geographically, culturally, and with the passing of the seasons.

The final prints were produced by Mark Herschede of Haven Press Studio in Brooklyn. The digital drawings were photo-transferred onto a polymer plate and printed on 250gsm Arches Cover paper through a Takach Etching Press. Read the rest of this entry »

Seattle’s burgeoning waterfront, home to the world class Olympic Sculpture Park, will get a new residential mid rise inspired by the park’s wedged paths. The stepped tower is designed by Perkins+Will to create a dynamic but sensitive relationship with the park as a public and aesthetic resource. Aiming for a LEED Platinum certification the design is intended to be environmentally astute and regionally adapted. The folded veil facade is a core design gesture to facilitate multiple relationships both internally and externally. The diverging planes of the southern facade breaks the massing into more discrete elements, verticalizing the Z shaped topography of the park. Read the rest of this entry »

A massive inflated balloon erected inside the Gasometer Oberhausen, Germany is purported to be the largest inflated envelope suspended without a skeleton. Designed and installed by artists team Christo and the late Jeanne-Claude, Big Air Package is a radical play of both space and light, pushing the limits of scale for a temporary installation. Read the rest of this entry »

“Lotus Dome,” interactive artwork by artist and architect Daan Roosegaarde, is a living dome made out of hundreds of ultralight aluminum flowers that fold open in response to human behavior.

When approached, the big silver dome lights up and opens its flowers. Its behavior moves from soft breathing to dynamic mood when more people interact. The light slowly follows people, creating an interactive play of light and shadow. The graphic representations of the lotus flower on the walls, and the deep bass sound, transforms the Renaissance environment into a “Techno-Church.”

The smart Lotus foil is specially developed by Studio Roosegaarde and their manufacturers, and is made from several thin layers of Mylar that fold open and close when touched by light. This high-tech craftsmanship is similar to the innovative thinking of the church’s architecture of the 16th century. Roosegaarde: “We’re updating Renaissance.” Read the rest of this entry »

The Leviathan as an ancient sea monster is mentioned six times in the Book of Job where it is described in detail. Among Job’s portrayal of Hell’s gatekeeper are numerous material depictions manifesting the creature’s physical traits which allow him to move speedily at sea despite its heavy build. His back has rows of shields tightly sealed together; Each is so close to the next that no air can pass between them; They are joined fast to one another; they cling together and cannot be parted; The folds of Leviathan’s flesh are tightly joined; they are firm and immovable; His chest is hard as a rock, ‘hard as a lower millstone’ (Book of Job). This underwater wriggling serpent is here re-imagined as armor for the human torso, inspired by the Leviathan’s anatomy and physiology. Composed of a thin stiff shell, cuts are introduced into the surface to allow for the flexibility required for movement and stretching. This body suit is designed as a single continuous surface with thin slots printed in two materials. Each slot is double-sided such that soft materials make up its internal composition providing comfort, while a stiffer material is deposited externally to provide for a protective outer shell.

Design: Neri Oxman in collaboration with W. Craig Carter (MIT) and Joe Hicklin (The Mathworks)
Photos: Yoram Reshef  Read the rest of this entry »

SOL Grotto, an installation completed in the Berkeley Botanical Garden by Rael San Frattello Architects, is a sensory oriented space using the discards of the infamous collapse of solar energy company Solyndra. The specialized glass tubes originally created for housing solar cells is repurposed to great spatial and tonal effect by placing them through a wall and connecting the outside within.

Read the rest of this entry »

SOFTlab and The Living produced the exhibition design for ReGeneration at the New York Hall of science. ReGeneration includes ten installations produced by various artists that explore immigration, urbanization, and sustainability through art, science and technology. Our brief was for the exhibition design to not only be a platform for the other installations, but to also be an installation in and of itself making it one of the ten artist installations.

The New York Hall of Science is located in Queens, NYC, the most ethnically diverse county in the United States. The exhibition framed the idea of sustainability as a system that is exothermic. That New York City is an exothermic system that thrives on the infusion of energy through immigration and generates energy through ideas and knowledge. We looked at this idea at various scales: global, national, city, borough, etc. We found that it is not simply the infusion of various groups or energies into a system, but the mixing and tangencies of these energies and mixing that produces a “melting pot” of ideas. It is through this mixing and turbulence of many ideas that a larger community forms—one that can be seen as a larger whole while still retaining the ability to show a “finer grain,” much like the interconnected loops of an ecosystem, or like many local “weathers” within a regional or global weather system. We treated the overall exhibition as an opportunity for the mixing of various artists responding to the community in many ways, in hopes to create a critical mass of tangencies that extend an influence outside of the museum into the larger community.

We inverted the typical exhibition design of white walls and subdivisions and created a floating cloud that not only marked the zones of each artist installation but connected them under a common roof. More specifically, the “cloud” consists of multiple interconnected “weathers” at the multiple scales of the artwork, the community, Queens, New York City, the country, and the world. While each “weather” has its own features and identity, they have many overlapping, “common” themes, and there are many threads that tie them together into one “common” ecosystem. In other words, the cloud is a kind of weather for the Regeneration exhibition–but rather than a single weather, it is really several common weathers. Read the rest of this entry »