The Cinema Center in Busan, South Korea, designed by Wolf D. Prix / COOP HIMMELB(L)AU, the new home of the Busan Film Festival (BIFF), was inaugurated with a grand opening on 29 September 2011 in the presence of the president of South Korea. The innovative building combines open space, cultural program, entertainment, technology and architecture in a novel way. Over 800 guests, among them the Mayor of Busan, the cultural minister, the sports minister as well as film celebrities attended the ceremony.

After winning the competition for this project in 2005 construction started the same year. The roof’s ceiling surface is completely equipped with LED projectors which allows for unique visual spectacles highlighting the Busan Cinema Center. The dynamically illuminated ceiling will serve as the center’s platform of communication with visitors and passers-by. A free span of 85 meters and a roof surface of 60 x 120 meters makes the roof the worldwide largest cantilevered roof. The complex comprises about 60,000 m2 of performance, event, gastronomy and administrative spaces and has a capacity of up to 6,800 visitors.

Xtra Moenia is a site specific installation designed and produced by SOFTlab for the San Gennaro North Gate. The piece was commissioned by Two Bridges Neighborhood Council and produced by The They Co. The piece serves as the North Gate to the annual San Gennaro Festival. SOFTlab developed a form that created out of two distinct oculi as a reference to one of the simplest and most effective classical architecture devices. One oculus points up while the other hangs down defining a zone on the street for pedestrians. The two forms are created using a minimal surface blending the two oculi together in a way that blurs the distinction between the two. The final geometry was developed closely with the structural engineering firm Arup.

The piece is completely held in tension from cables attached to the surrounding buildings. The shape is completely site specific and can only find its true form when attached at these specific points and tensioned with the proper lengths. Each piece is unique requiring custom software tools to be developed to fabricate the installation. Read the rest of this entry »

“…As the table cloth starts to sway, seemingly gathering momentum by the energy of the beseated, and is about to take off, it reveals…that there is no table underneath. As if it never existed. A phantom…”

As if originating from the same sketchbook as Boccioni’s Unique Forms of Continuity in Space, or torn from Marilyn Monroe’s iconic wind blown dress, the Phantom Table captures the object in motion. It is an investigation into form that spontaneously elaborates on the relationship between activity and design. The idea is to minimize the importance of the table and shift the attention towards the people sitting around it. It addresses, through a specific situation, the possibility of object’s absence generating the corresponding activity. Read the rest of this entry »