A honeycomb of separate but unified residences rising high in the skies of Johor Bahru, Malaysia can help house the influx of new residents moving to the area in coming years, say Atta Irdrawani Zaini and Ungku Norani Sonet, architecture students in Sarawak, Malaysia.

The two have designed a skyscraper to help hold the area’s new population, which is expected to nearly double from its 2005 numbers by the year 2025, according to the area’s growth management plan. Zaini and Sonet note in their “Dense.City” entry to eVolo’s skyscrapers competition, interestingly, that Johor Bahru is already a “high-rise jungle,’ and that many area skyscrapers have been abandoned mid-construction due to lack of demand. Though they argue that skyscrapers should only be built when density deems necessary, their building will be fully utilized as the population grows, they believe. High-density structures such as their own have the added benefit, they say, of forging a sense of community amongst residents. Read the rest of this entry »

Graduate students at the I.A. Lab of Taiwan University proposed a new urban masterplan and skyscraper for the port of Kaohsiung, Taiwan. The “Harbor Capital” is the second largest city of the country and the 6th largest port in the world and since 2009 the most densely populated area of Taiwan.

The so-called Acupuncture Tower designed by Kulthida Songkittipakdee, Jen Hung, Tien Wu, and Cheng Pan was inspired on the “memory” of the site’s landscape. Its form derives from the analysis of the different forces (wind, ocean, soil) that activate the region. The tower blends to the existing urban fabric through delicate structures that peel off from the main core and integrate to five different areas of the city providing infrastructure and recreational spaces.

The Acupuncture Tower is also a green project that desalinates ocean water, harvests wind and solar energies, and would recycle the majority of the port’s waste. The façade is also covered with algae membranes that in contact with sunlight and oxygen produce bio-fuel. Read the rest of this entry »

London-based architects Alia Khonji and Sana Hasan proposed a new masterplan for the northwest part of Damascus, Syria that seeks to reconfigure the urban sprawl and bring back to life the Ghouta Oasis. The project is a superimposition of layers at different scales. In a macro scale it links to the recent road network developed by oil companies in the region.

The main idea of the development is to bring people to the region while reorganizing the chaotic urban fabric. The site will be divided into four zones, each comprising a pivotal building including the Syrian Energy Headquarter, pavilion of expositions, hotel and residences, and greenhouse. The massing will increase in density toward the center with smaller buildings in the periphery that will blend with the existing buildings. The agricultural districts will be connected through news fields that will cross the entire plan and provide green areas through out the development. Read the rest of this entry »

The technique of High Contrast eschews both non-standard variation and collage as compositional structures in architectural design. This project for a hotel in San Juan designed by Amelia Tabeling and Juliana Esposito pairs two contrasting geometries, the carefully proportioned rectangle and the subdivided, extruded triangle. High contrast is achieved on multiple scales for different audiences:

1. The positioning of two distinct L-Shaped buildings on the site creates tension at the space between the two masses.

2. The separation of the two geometries on the exterior preferences either the view from the beach or the view from the city.

3. The inversion of the geometries on the interior contrasts with the exterior.

4. Lobby programs in the triangulated geometry oppose the rooms which occupy the rectangular geometry.

Despite these contrasting characteristics, the project holds together compositionally through balanced tension and the lines of light and structure. High Contrast offers a novel approach to dealing with effect, leaving behind both needlessly complex form-making and overly-cool modernist collage. Read the rest of this entry »

This installation designed by SCI-Arc students Vincent Pocsik, Zach Schoch, Mike Gross, and Zifan Liu stems from an intensive research on ornamental techniques used within traditional Islamic and Persian architecture. A particular focus was placed on a type of corbel known as Muqarnas. Muqarnas is a three dimensional decoration composed of niche-like shapes, arranged in tiers that usually cover undersides of vaults and arches. Its unique ability to transition between different compositional elements was closely studied in order to create our own order of assembly. Scripting in parallel to manual 2d geometric patterning was used to emerge the pieces design. While rigorous material testing for particular effects and applications influenced the pieces final construction. Creating a system much like the Muqarnas, that could transition effortlessly from different scales and shapes, yet hold a self similarity making its assembly economical. Read the rest of this entry »

Sit down, sit up, lounge, hang, repose, move, work, read, consult or relax, alone or together.

People communicate in a variety of ways. The design for the SitTable caters to the needs of these divergent varieties. It allows for the table to become a thinking place as well as a social meeting ground, whilst offering a diversity of options for functionality.

It may become a quiet reading table found in a library, or a work and relaxation place located in an airport lounge. It could simply be used in a waiting room, in a front office or in a school. It may also act as a meeting space for exhibitions or in shops. Whichever role it fills, everyone is given the opportunity to discover their own practical use for the SitTable. It is designed to serve one’s own intended purpose for functionality and arrangement.

The hybrid form of the SitTable combines two pieces of multi-functional furniture, offering a variety of space-creating authority to the user. Numerous tasks can be carried out simultaneously at the SitTable – both solitary and social, or a combination of the two. Read the rest of this entry »

New York-based architect Ju-Hyun Kim envisions the theme parks of the future as vertical structures in large metropolises. His concept for a theme park skyscraper borrows the idea from Disneyland to create different worlds but bases the entire experience in height and the relationship with the existing city. Ju-Hyun proposes a park without automobiles, a sustainable building that harvest solar and green energy, recycles waste, and collects rainwater.

The classic rides, such as the Ferris Wheel, rollercoaster, and carousel are all re-imagined for a vertical experience. Ju-Hyun’s vertical theme park has five major areas: Vertigo World (carousel and observation deck), Fast Land (flume ride, rollercoaster), 360 World (Ferris Wheel, sky promenade), Abyss City (deep city diver), and the Elsewhere Universe (space exploration, science center).

We hope this concept becomes a reality to transform and inject new life to a century-old invention. Read the rest of this entry »

The harsh sun, waterless dunes and spectacular, stark forms created by mountains of sand swirling in the wind are seen as inspirations of incredible beauty by architects Francisco J. del Corral del Campos and Carmen M. Barrós Velásquez, both of Granada, Spain. The two celebrate this landscape and respond to its demands in their new skyscraper design for a greenhouse tower in the Oman desert.

The architects literally cast their idea for the “Oasis” tower into the wind to help define its shape. By examining the effect of the site’s southeast wind on a tower, they designed the building to respond to the wind’s movement, its sweeping flow, by softly curving its form as it arches into the sky.

Solar energy and biogas generation from organic waste material will power the tower’s energy needs, and water from the ocean will be transported and desalinated to provide the drinking water and irrigation supply. Additionally, gray water is reused to cool the building and the surrounding environment through a spray process that creates a cooling vapor around the building. Read the rest of this entry »

The Casalgrande Ceramic Cloud, the first work of architecture in Italy by Kengo Kuma, the Japanese master, and a new symbolic gate of the ceramics district of Emilia Romagna, is located in the municipality of Casalgrande, in the province of Reggio Emilia. The work is located near the production works of Casalgrande Padana, the leading company in the production of unglazed stoneware and the buyer of the work itself.

The CCCloud transversally divides the space of a roundabout like a thin diaphragm curtain dynamically attracting the viewers’ sight. The layout plan of the work is oblong and streamlined at the ends and the central section reaches a maximum width of 1.7 metres. It is almost 12 metre tall.

For the first time, ceramic material is tested for structural purposes. Its 3D structure is composed of nine layers of large technical porcelain stoneware slabs – standard production items by Casalgrande Padana – placed one onto the others and interconnected by means of thin hidden threaded bars. Read the rest of this entry »

Time Magazine has reported that the most expensive home in the world has been completed. The owner, Mukesh Ambani is the fourth richest man in the world according to Forbes. Mr. Ambani is Chairman of Reliance Industries which controls a large portion of oil and gas products in Asia. His new residence, Antilia, named after the mythical island in the Atlantic is a twenty-seven floor building with approximately 400,000 square feet. The tower has been designed by Chicago-based architects Perkins & Will and constructed by Leighton Holdings. Read the rest of this entry »