Attempting to assume a fresh approach to digital fabrication, the project combines indigenous, traditional craft techniques of Marrakech with current algorithm software programming. Traditional Moroccan weaving  techniques are used to render physical the forms designed in programs such as Rhino and Grasshopper. The process is, as the architects state, a nonlinear one, going back and forth between the physical and the digital.

The Moroccan weaving technique involves a wood frame loom and a process of organizing wool or cotton yarn into an array of linear lines of yarn warped through a loom weaving and tying in order to produce a woven fabric surface. The frame of the loom is recognized as a deployable architectural element, holding the yarn in place as a series of parallel lines that form a surface. These surfaces are actually three-dimensional volumes stretched over a series of fixed frames. The ultimate site for our work, the ruin at the Mosque Koutoubia, informs and locates the proposed project and establishes a scale for the work. Read the rest of this entry »

The project was designed as a temporary event space, located on a roof in NYC. Part of the MINI’s “Creative Use of Space” campaign, the project was designed and its construction oversaw by architects at HWKN. It is heightened by the design elements characteristic of BMW’s Mini Cooper cars.

The roof combines natural and artificial elements. An organic hill is suspended in an abstract architectural grid. The design is a collection of elements that punctuate the ubiquitous grid: a grassy lounging hill with seating dimples and performance stage, a speakers’ platform embedded in a large scale existing billboard, a lighting tower to cast light on the space and to act as a visual icon on the skyline, and a panorama bar overlooking the Hudson River. The floor is animated with a LED carpet that turns the surface into a programmable horizontal billboard. At an architectural scale, objects like the bar, hill, platform, and light tower float within the grid pattern of the light carpet. Read the rest of this entry »

Fashioned by a simple circle Andrew Maynard Architect’s Mt. Macedon House is currently under construction near the town that the home derives its name in Victoria, Australia. Incorporated into the wooded landscape the home’s geometry grows out of the hillside keeping it from being walled off from its environment. The landscape adds variety to the circular form as well which provides elevated views throughout the main living floor. The home’s open expanse to a central courtyard, divided by a lap pool in the center, articulates a recreational and social presence as each space can see and been seen from the rest of the home. The interior floor plan, with bedrooms to one side, kitchen and living in the middle and office and garage on the opposite end is egressed by an inner path lining the courtyard. The total effect is one of relaxation.  Read the rest of this entry »

The 12-story boutique hotel is located in the Chelsea neighbourhood of New York City. The building was designed by Handel Architects as a conversion of the main annex of the existing building into the Dream Downtown Hotel.

Along the 17th Street exposure, the sloped facade was clad in stainless steel tiles, which were placed in a running bond pattern, refering to the original mosaic tiles of the Union building that once occupied the site. New porthole windows were added, one of the same dimension as the original and one half the size, loosening the rigid grid of the previous design, while creating a new façade of controlled chaos and verve. The tiles reflect the sky, sun, and moon, and when the light hits the façade perfectly, the stainless steel disintegrates and the circular windows appear to float like bubbles. The orthogonal panels fold at the corners, continuing the slope and generating a contrasting effect to the window pattern of the north façade. Read the rest of this entry »

The site is located at the western part of midtown Manhattan NYC at the present Hudson Yards MTA rail tracks. The site is the focal point of the regeneration of the High Line Elevated Park and finishes the long history of misuse of one of the masterpieces of 20th century heritage. The position of the site on the NYC map lends itself to becoming a stitch between different neighborhoods and the Hudson River, and being transformed into an invigorated cosmopolitan center with a direct view of NYC’s landmark Empire State Building and the midtown business district. Read the rest of this entry »

The Piezoelectric playground is a temporary structure designed by Margot Krasojevic for the Pioneers park in Belgrade, Serbia. It will be used as a bandstand and playground.

The canopy is a hyperbolic structure which folds in on itself draining rain water into the pool directly underneath it which diffracts light (acting as a prism) further magnifying the activities within the canopy structure. Movement agitates the semicondcuting piezoelectric crystal disks which as a result generate an electric current within the structure itself, this voltage controls the holographic glass clad canopy and optic fibre light projections choreographing a series of patterns which illuminate the immediate context according to the music or events occurring within the canopy. ; with the possible use of vibrating piezoelectric crystals releasing hydrogen and oxygen from the water molecules, piezoelectrochemical effect, supporting the hope that energy can be used to generate power from any structure which vibrates and produces noise, from passing traffic, children playing etc. Read the rest of this entry »

The project attempts to integrate rural landscape and the city. Located in the fast growing city of Shenzhen, in China’s Guangdong Province, the Galaxy Yabao Hi-Tech Enterprises Headquarter Park covers an area of about 65 ha. It is a complex comprised of 18 high-rise towers, a 5 star hotel, 3 service apartment towers, 3 residential towers, a shopping mall and a 32 ha park. In order to introduce nature as a strong element in space, the architects at 10 design decided to pull off the tower facades to allow for vegetation to grow up the sides of the buildings.  Mounted on the western facades are the algae tubes. The strips of vegetation, climbing up the towers are transformed into rooftop gardens, reducing the heat-island effect. Read the rest of this entry »

After five months of intensive design work and two weeks of building-up, on 29th of March the exhibition of THE SWARM – a Parametric Pavilion – took place in the outdoor area of the Bavarian Chamber of Architects in Munich. The main exhibit is a sculpture out of Alucobond which is 4 meters high and 15 meters long. Its shape describes an abstract swarm of birds.

The idea of THE SWARM was born on the new chair of Emerging Technologies at the faculty of architecture of the Technical University of Munich. The first concept made by Magnus Möschel was selected within an intern competition in the summer semester 2011 while the time of visiting professor Charles Walker. In the following semester, the students Sabrina Appel, Max Langwieder and Sascha Posanski developed the project and transformed it into a real building. They were supervised by the assistents Nadine Zinser – Junghanns, Moritz Mungenast and Wieland Schmidt. Read the rest of this entry »

Free City is a conceptual prototype for the XXI century city, conceived by FREE Fernando Romero EnterprisE in response to global issues brought forth by population growth and urban transition in the developing world. It proposes the design of a new urban infrastructure that integrates a sustainable and systematic framework into the grain of the urban fabric, stimulating innovation, production, services and growth. Read the rest of this entry »

The design house prechteck was invited to design a corporate headquater for s.deer, a chinese retail-clothing company based in Nanjing.

The main idea behind the design for the building was to create world of fashion underlining the lifestyle s.deer stands for. As fashion is not just about clothing, the new s.deer headquater should not just be about administration. At fashion shows, photo shootings or previous store designs, cubes in different size and configurations are omnipresent and have been a key object and an unofficial logo for representing s.deer. Inspired by s.deer’s appearance design, rotated cubes were also the formal element for prechteck’s proposal. Read the rest of this entry »