BIG – Bjarke Ingels Group and Cymbal Development transform a portion of Fort Lauderdale’s New River front into a vibrant addition for the local community and future residents of the city.

The mixed-use development, Marina Lofts, in downtown Fort Lauderdale seeks to infuse a currently run-down stretch along the New River with a thriving pedestrian friendly public space thereby attracting new residents into its development. Totaling 1,000 rental apartments, 10,000 sq ft of restaurants and 25,000 sq ft of retail, the mixed-use development is broken into three phases. The Florida-based developer, Asi Cymbal, expects the project to have a positive long-term economic benefit to the city and local community of Fort Lauderdale.

“Our intent here is to create a world class project that will serve as a model for architecture, creativity, and energy along the most prime stretch of waterfront in Downtown Fort Lauderdale,” says Asi Cymbal, owner of Cymbal Development.

Situated in an industrial gap in Fort Lauderdale’s Riverwalk park, Marina Lofts stitches together the final arm of the currently fragmented public space along the New River. BIG’s design frames the space with a generous public promenade bounded towards south by a 3-phase series of residential towers, creating public life along the riverfront while maintaining the existing marine activities of Fort Lauderdale. The two initial housing towers are treated as one continuous building “breaking” at the center to form an opening which allows maximum pedestrian activity to flow between the buildings and extends the city life out to the waterfront. Read the rest of this entry »

Proposal by HHF and Burckhardt + Partner for the new Basel Aquarium. Zoo Basel is embedded in the city and used as a park by residents and visitors. The redesigning of the green area Nachtigallenwäldeli and the construction of the new Ozeanium, an ocean aquarium, on the Heuwaage are bringing the zoo and the park area even closer to the city center, to form an attractive living environment and recreational area. The proposed Ozeanium accommodates the scale of the surrounding buildings, such as the Rialto swimming pool, the market hall and the tall buildings on the city ring. The striking, con!dent construction volume is a clear indication of what an attraction this will be, enriching the city in a central location.

The roof and facade are homogenous in terms of the materials and the language of forms: exposed concrete, horizontally graduated by rough boarding and with sediment-like exogenous inclusions. The archaic building is riddled with differently sized openings and recesses, making it possible to ascertain the most important themes from the outside. Some of the spherical indentations in the building volume are planted with vegetation and serve as habitat for birds and small animals. Read the rest of this entry »

SOFTlab and The Living produced the exhibition design for ReGeneration at the New York Hall of science. ReGeneration includes ten installations produced by various artists that explore immigration, urbanization, and sustainability through art, science and technology. Our brief was for the exhibition design to not only be a platform for the other installations, but to also be an installation in and of itself making it one of the ten artist installations.

The New York Hall of Science is located in Queens, NYC, the most ethnically diverse county in the United States. The exhibition framed the idea of sustainability as a system that is exothermic. That New York City is an exothermic system that thrives on the infusion of energy through immigration and generates energy through ideas and knowledge. We looked at this idea at various scales: global, national, city, borough, etc. We found that it is not simply the infusion of various groups or energies into a system, but the mixing and tangencies of these energies and mixing that produces a “melting pot” of ideas. It is through this mixing and turbulence of many ideas that a larger community forms—one that can be seen as a larger whole while still retaining the ability to show a “finer grain,” much like the interconnected loops of an ecosystem, or like many local “weathers” within a regional or global weather system. We treated the overall exhibition as an opportunity for the mixing of various artists responding to the community in many ways, in hopes to create a critical mass of tangencies that extend an influence outside of the museum into the larger community.

We inverted the typical exhibition design of white walls and subdivisions and created a floating cloud that not only marked the zones of each artist installation but connected them under a common roof. More specifically, the “cloud” consists of multiple interconnected “weathers” at the multiple scales of the artwork, the community, Queens, New York City, the country, and the world. While each “weather” has its own features and identity, they have many overlapping, “common” themes, and there are many threads that tie them together into one “common” ecosystem. In other words, the cloud is a kind of weather for the Regeneration exhibition–but rather than a single weather, it is really several common weathers. Read the rest of this entry »

Designed by Vancouver-based Bing Thom Architects, the new Xiqu Center will be the first of 17 arts and cultural venues to be opened within the new West Kowloon Cultural District in Hong Kong. Symbolizing the importance and the richness of Xiqu (Chinese opera), the center aims at making this piece of Asian cultural heritage accessible to new audiences. The Center will blend theater, art and public space and host international cultural programs. Like the soft glow of a lantern behind a bead curtain, the Xiqu Center will light up the Eastern entrance of the West Kowloon Cultural District and act as a lantern for Hong Kong. Read the rest of this entry »

The spiral silhouette of Sonik Module’s Sity project traces the river valley in Shanghai, reflexing the heavily contrasting roof levels in the area. It undulates by lowering itself to the ground and then rising to achieve and then exceed the maximum height of the surrounding buildings. The spiral shape encompasses and frames space, offering unique sights of the horizon from different angles. Read the rest of this entry »

The project of Massimiliano and Doriana Fuksas was conceived as a symphony of architectural volumes, creating the effect of a music that you can listen to with your eyes. On a total area of ​​about 110,000 square meters, the elliptical shape of each building gives the impression of a perpetual motion and continuous vibration. The surface of the facade is a continuous ribbon coated with a metal skin with openings geometric design that allow natural light to enter the interior of the four volumes. Read the rest of this entry »

1001 was produced by the ID5 Interactive Systems faculty as the result of an iterative draft design process. Apart from design aspects, permanent adaption of the surface to the human body was the working team’s main focus. They adopted various approaches as a means of controlling spatial movements. CAD was essential in order to simulate specific deformation of the surface and, in subsequent work stages, to shape this deformation in all its conditions. The aim was for 1001 to be formally convincing not only as an object but also in every possible use situation. More than 30 clusters, each consisting of three elastic rods, are mounted on a spherical base and support the reclining surface, which has a corresponding geometrical pattern but consists of rigid segments. Read the rest of this entry »

This project designed by Juan Jose Sanchez Martinez from the European University of Madrid is a proposition for a subaquatic archeological park of Yenikapi, Istanbul. The grounds of a forgotten harbor for more than 16 centuries restructured into a subaquatic museum transited through a hammam. We face the preservation by the evolution of a new cultural tourism where history and body create an emphatic bond. The project folds with the exterior, it flows towards the landscape, not imitating its forms but its evolutionary process. Read the rest of this entry »

The Golden Moon designed by Kristof Crolla and Adam Fingurt revisits the concept of a Chinese lantern and makes a direct link to the legend of Chang’e, the Moon Goddess of Immortality – two elements strongly associated with the Mid-Autumn Festival. According to the romantic story Chang’e lives on the moon, away from her husband Houyi who lives on earth. The couple can only meet on the night of the Mid-Autumn Festival when the moon is at its fullest and most beautiful. To symbolise the passionate love burning between the reunited couple that day, the 6-storey-high, spherical spherical moon lantern is clad with abstracted flames in fiery colours and patterns. The lantern is placed in a reflection pool and is made large enough for up to 150 people to enter and be fully immersed in the sound and light experience.

Traditional materials for making lanterns, such as translucent fabric, metal wire and bamboo, have been translated to a large scale. A light-weight steel geodesic dome forms the pavilion’s primary structure and is the basis for a computer-generated grid wrapped around it. This grid is materialised through a secondary structure from bamboo. For this, Hong Kong’s traditional bamboo scaffolding techniques were used – a high-speed, instinctive way of building scaffoldings for e.g. the city’s many skyscrapers. This highly intuitive and imprecise craft was merged with exact digital design technology to accurately install and bend the bamboo sticks into a grid wrapping the steel dome. This grid was then clad with stretch fabric flames, all lit up by animated LED lights. Read the rest of this entry »

DrawDEL Strands designed by Nikita Troufanov and Gonzalo Padilla is an experiment in the oscillation of materiality—layering information sets and shifting focus, materialized as part drawing part model.

In this hybridized 2d and 3d presentation neither mode of communication can stand without the other. It is an artifact to push the modality of fabrication not only for presentation but for its use as a design tool. Read the rest of this entry »