Union Panorama

The Jangir Maddadi Design Bureau, a Sweden-based furniture design studio, has established a line of luxury benches, lamps and planters for interior and exterior spaces that are clean, aesthetically beautiful and utilitarian.

All of the company’s products are crafted locally; using Swedish artisans to design and craft their benches, planters and lamps is a point of pride for the Jangir Maddadi Design Bureau. The company strives to compliment their prioritization of regional artisans and materials with designs that are organic and earthy. Innovation, they stress, and forward-thinking configurations and aesthetics are also vital in their products’ designs, though.

Their pieces are grouped into three categories. The first, the “Union Family” is a line that uses large circles singularly or grouped to create both benches and planters. The planters, available in poured concrete or fiberglass, are large circles that slope proportionally to the ground. The benches are more complex; they are available in a variety of one, two and three- seat configurations. The “Panorama” bench design aligns two or three of the circular seats linearly, but also allows the option for one of the circles to be used as a planter. This design is ideal for hallways and corridors, can seat up to 12, and is, says the company, “inspired by the natural curves of people in movement.” The other possible configuration for benches creates a new type of tripod: three seats are connected in a triangle configuration that allows for both privacy, letting strangers comfortably cohabitate, and also intimacy, allowing a close space for friends to huddle to converse. The bases of the customizable benches are made of fiberglass; the moulds are poured by expert yacht makers on the country’s east coast. The circular seat cushions can be made in a variety of colors from felt, hand-sewn leather made on the Swedish island of Öland, or, in the “yacht” design, teak wood. Read the rest of this entry »

Awarded the Red Dot Best of Best Concept Award 2011, Flowall is a wall lamp designed by the Korean designer Jeil Park. It provides light through a curtain of mobile elements, reacting differently, depending on the interaction with the user.

Jeil Park’s work explores the relationship established between objects and users in a physical and phenomenological manner. “Objects designed with materials, colors and specific shapes will quite possibly get different meanings, depending on context and situation around them, despite being the same design,” says Park. Flowall drafts present a series of slats that hang vertically from the wall and bend at different heights. When one of the blades is pressed, a motion sensor receives the signal and the structure is bent up to form an obtuse angle. The module pulls neighboring slats, creating an undulating surface and progressive rhythmic repetitions. LED lighting installed in the interior of each board affects differently depending on the angle of the bend of each piece of the screen. Read the rest of this entry »

The project is designed by Boston based PRAUD Studio as a competition proposal for the music-themed hotel in Jurmala, Latvia. The main idea was to take a more aggressive stand and focus on creating a unique experience of a “music park”. Creating an urban landscape, equivalent to the hotel’s natural surroundings resulted in an architecturally strong statement. An elevated structure  facilitating the new hotel was introduced to the site, achieving widely open public space on the ground level, and a better view of the Baltic Sea from the hotel rooms. Every room in the new mass has direct view towards the sea and has access to the balcony on the roof. Read the rest of this entry »

These constructions made of polyethylene plastic tubes, usually used for water, gas and electrical distribution, are strong and flexible pieces of public furniture. The designer, Sebastian Wierinck considers them to be experiments in contemporary design, aiming to “bring some new creative freedom, and some opportunities to follow the researches in the design and production of objects and spaces.” Read the rest of this entry »

The project was designed and produced by Matt Miller, Dale Fenton, Emau Vega, Aubrie Damron, and Adrian Cortez, all students at the Texas A&M University. Developing the idea of two opposite spatial and symbolic conditions, the team decided to emphasize the difference between them, instead of trying to blend them together. The resulting structure was marked by two polar personalities that defined exteriority and interiority. The Bi-Polar Project comprises three systems: the tessellated parametric logic performative exterior, the free-flowing sensual interior, and the in-between bladder system acting as a mediator between the two extremes. Read the rest of this entry »

Studio Mode / modeLab is pleased to announce the first installment of the modeFab workshop series: Strip Morphologies II .

As a continuation of the Strip Morphologies workshop held in June 2010, Strip Morphologies II is a two-day intensive design, prototyping, and fabrication workshop to be held in New York City during the weekend of November 12-13, 2011. In a fast-paced and hands-on learning environment, this workshop will investigate the morphology of the ’strip’ by cross-linking developable surfaces and joining strategies. We will identify and exploit the constraints inherent in sheet material and CNC laser-cutting technology to explore and construct highly articulated material assemblies. Furthermore, the workshop will provide participants with instruction in digital fabrication techniques and direct access to CNC equipment. Read the rest of this entry »

A self-taught furniture designer and studio owner Joseph Walsh is considered one of the world’s most promising and forward looking young artists. The extraordinary quality of his craftsmanship is widely recognized, receiving critical attention of curators, academics and the media. The design approach is derived from a body of knowledge accumulated over the years, working almost exclusively with wood. This intimate understanding of the material resulted in a fluency with design and production techniques, altogether enabling him to take a more conceptual approach. Read the rest of this entry »

The Austro-Croatian design collective Numen/For Use was established in 1998, as a collaborative effort of industrial designers Sven Jonke, Christoph Katzler and Nikola Radeljković. Since then they have worked on numerous projects, some of which investigating ideas beyond the field of industrial design. From the scenographic project for the production of “Inferno” in the National Centre for Drama in Madrid, to the series of temporary installations under the common title “Tape Project”, their work seems to be continually engaging with issues of spatial experimentation. Read the rest of this entry »

Filippo Innocenti, co-founder of the UK-based architecture firm Spin+ and an associate architect at Zaha Hadid Architects, was selected by Adobe for the design of an entirely digital museum. Adobe wanted more than a website designer; they were looking for a way to make the space feel “physical’. While Innocenti designed the Museum as a real architectural project, the website design was left to the London-based digital production company Unit9. Read the rest of this entry »

Seeking to unite functions of the three existing buildings of Brussels Airport, architects at UNStudio introduced an elongated fibrous structure.  The insertion establishes its own identity while serving as a connection between contrasting entities of the terminal and Pier A. It is a fully integrated commercial zone which facilitates various operational processes, retail functions, etc. Once past the screening area, the passengers are introduced to a duty-free shopping area and led towards a double height central plaza with cafes. The elevated Cockpit occupies the highest area of the Connector, offering best views of the plaza below as well as the planes, landing and taking off. Read the rest of this entry »