The strategy implemented by AUM Arquitetos for the Regional Council of Administration of Santa Catarina, Brazil was based on the exploitation of the topography and its potential visual axes.

The program is distributed in two parts: the base, which includes the auditorium, plenary halls and chambers of courses, and the tower that houses the offices. The tower has only four supports, with spans of 20 meters in the longitudinal way and 10 meters in the transverse direction. Two steel beams with 30 meters structure the pavements’ slabs through metal rods every 5 meters.

Facing the sea, the position of the elevators allows all users of the building to enjoy a privileged view. To enhance the visuals to the sea and to the forest through the building, some modules go beyond the basic dimension of the tower, ranging from 1 to 2 meters in balance. These advances in the modules generate terraces on the upper floors, where it proposes to use a green cover to contribute to the thermal comfort of the building, and creating a pleasant work space.

The contemporary American house is experiencing a deepening crisis of identity in this era of growing environmentalism. This identity crisis began nearly fifty years ago with the end of the Case Study House program and the rapid acceleration of suburbanization. The discipline of architecture never regained its footing in the context of American housing as housing became a product, subject to the efficiencies and economics of mass manufacture. The impact of suburban sprawl on energy, water and transportation infrastructure was largely overlooked until its geographic consequences were already firmly entrenched. The widespread growth of environmentalism has begun to address this problem, but even the corresponding aesthetic of the environmental movement has done little to assert a new identity for the American house.

However, an appreciable shift is underway as a new audience of environmentally concerned citizens gathers. While this audience has embraced environmentally friendly product and equipment upgrades, the approach thus far is insufficient, as its impact on sustainable development is minor and its rate of change too slow. We believe growing environmentalism should be met with design ingenuity, not product specification. A lasting contribution to sustainable development or the quality of the built environment is impossible when underperforming architectural and urban organizations are simply reproduced using products branded as “green.” Read the rest of this entry »

OMA unveiled their design for The National Museum of Archeology and Earth Sciences (MNAST) located on one of Rabat’s highest points: the gardens of the Lyautey Residence, which used to house Morocco’s French administrator. The MNAST will act as a catalyst for Rabat’s development, its innovative architecture reinforcing its urban and cultural attraction. The building is a long, flat isoceles triangle, resembling an ancient relic or indeed an archeologist’s tool. But the shape is primarily motivated by three axes on the site: Franklin Roosevelt Avenue, facing the city in the east; the park in the north; and the Lyautey Residence and formal gardens in the south-west. Rather than appropriating the Lyautey Residence as a part of the museum, the MNAST – with its entry is at the same level – will engage it in dialogue. Through its topographical connection with the MNAST, the Residence will be inscribed anew in the contemporary history of Morocco. Read the rest of this entry »

This competition proposal for Center for Promotion of Science in Belgrade was designed by a team of young Serbian architects Milos Zivkovic, Nebojsa Stevanovic, Janko Tadic, Aleksandar Gusic and Slobodanka Tadic. The object itself is a place where two ages crash – a collision of modern function and retro environment. Its architecture should provoke, associates, intrigue observers as much as its users. In time, exhibits have taken on a new form, so today the requirements for new architectural concepts have also changed. The user now becomes a participant and without him an exhibition does not exist – by activating it he becomes a part of exhibition, together they form a spectacle.

The main space is formed by de-leveled staggered slabs, recessed from the facade so they can be perceived from all levels and angles. With continuous movement through space and the use of exhibits, the user creates a form of event for himself and for the observer. All elements of the facility are subordinated to this idea and so are the access ramp and conference room that form environments that look out on the exhibition areas. The highest level of the building is formed in relation to program requirements; it is compact and offers dark areas that correspond to different types of exhibitions. In the floor there are gaps through which you get a new perspective of the spectacle. The facade of the building is used as a filter for the outside observers who watch through Fresnel lenses which are located on three sides of museum. It gives them ability to see enlarged image of the inside space and giving them a whole different perception of the Center. Read the rest of this entry »

This project was developed by Jungwook Lee as Design Thesis at Cornell University. The study is briefly summarized through three main topics. The first topic was to analyze the sense of smooth and striated space from Deleuze and Guattari’s philosophy book; ‘A Thousand Plateaus with Architecture Point of View’. The second part included the research of weaving structures characterized by striation that can mutate into smooth spaces. The last study was to re-define the massive grid system in Manhattan. This study proposes the alternative architectural result of the combination of smooth spaces with striated spaces. Read the rest of this entry »

The Loop Cathedral for Vienna, Austria designed by Chi Wai Chan examines various notions and typology of a religious building bringing it closer to contemporary requirements and sensibilities. Many feel that Catholicism is just a grandiose relic on the outside without much substance on the inside. This superficiality rather than spirituality becomes the main agent for the explorations.

The project manifests the notion and affect of an ‘Exquisite Corpse’ or a skeleton of fluid lines that flow together coherently to achieve the effect of ‘part becomes whole and whole becomes part’. The language is exuberant and excessive. It is dark and sinister like a cathedral in Gotham city. The iconograpic typology of a Gothic Cathedral was disseminated with formal elements of a tower and base to remain. Animated formal attributes and surface tessellations reinstitute the ornamental and decorative affect of a Gothic Cathedral. The cathedral as an institution exists only in excess.

via suckerPUNCH

Italian architects AquiliAlberg unveiled their design for a new urban landmark in Perth, Australia. The project consists of a fluid folding surface that peels off from the ground to create three pavilions. The project is located at Forest Place, one of the most representative plazas in Perth and offers a new and exciting urban destination for the residents and visitors. The pavilions count with diverse seating and gathering areas as well as canopies and relaxation spaces. At night the project will be illuminated with multi-colored lights according to seasons, events, and celebrations. Read the rest of this entry »

The result of an international design competition, the Chengdu Contemporary Art Centre (CCAC) designed by Zaha Hadid Architects will be a new cultural destination for Sichuan Province and will provide Chengdu with an unprecedented collection of world-class arts, performance, leisure, and congress venues. CAC will be a regional art and music centre of international standing. CCAC accommodates three auditoria, an art museum, an exhibition centre, a conference centre, a learning centre, bars, restaurants and shops.

The largest of the three halls, a multifunctional theatre, seats up to 2,000 people.The second hall caters for lyrical theatre and music events, with a seating arrangement of up to 870 people. The third auditorium will be used as a music hall. Designed for natural acoustic, this hall will provide space for an audience of up to 1,000. The conference centre comprises 8,000m2, which can be separated into 16 equal and independent accessible conference rooms. A flexible 10,000m2 exhibition centre is located at the main entrance level. The art museum comprises approximately 15,000m2 net exhibition area which is located below the roof and will take advantage of natural lit exhibition spaces. Our design aims to resolve the complexities of the programme, while combining spatial clarity with the design of a unique and iconic structure. Read the rest of this entry »

The Centre for Promotion of Science in Belgrade, Serbia designed by Austrian architect Wolfgang Tschapeller will be an institution of service and a national bank of knowledge in the field of science. It will organise innovative and educative exhibitions, and bring science closer to the people. The main goal of the Centre for Promotion of Science will be to facilitate scientific education, a continuous training as well as social and economic growth, both with direct action, and in partnership with other actors – primarily the Ministry of Science and Technological Development and the Ministry of Education.

The Centre  will be floating high above the ground. It will operate in 3 main levels. On the level of the City it will be an optimistic sign positioned on one of the main routes of the capital. For the Blok 39 it will be a sign, a canopy and a portico. The  building being programmed to promote sciences, it plays on visions of technology and construction. The architectural language of the centre will  be one of state-of-the-art technology and the display of structural principles. A special role is given to the underside of the centre; it will have mirroring qualities, able to reflect all the movement on the ground as well as the visitors that by entering the centre are penetrating the reflections of the earth’s surface. Read the rest of this entry »

The design for the Kaohsiung Cruise Terminal by Emergent is interior driven, biasing building section, and interior spatial effects. The goal is to create a cavernous space which will appear simultaneously massive and lightweight. The project oscillates between volume and surface, avoiding the limitations of exclusively surface-based and volume-based architectures.

The Port Services Center, made up of string of hard elliptical volumes, is pushed down into the soft bubble of the Ferry Terminal, so that exterior skin becomes interiorized. This nesting action allows for functional division between the programmatic elements while creating complex interior formations. While the Ferry Terminal is oriented towards the inside, the Port Services Center– consisting primarily of offices– is oriented towards the outside, with views out to the city and the ocean. It is a building within a building. The skin of the Ferry terminal is constructed out of transparent ETFE membrane and hard fiber-composite Armor Plates. These Armor Plates operate as both structure and ornament. They create stiff zones in the skin where the membrane can be affixed. Ultimately, the construction system is a hybrid of shell and membrane construction types– what we now call Shell-branes. Read the rest of this entry »