Studio Mode / modeLab is pleased to announce the first installment of the modeFab workshop series: Strip Morphologies II .

As a continuation of the Strip Morphologies workshop held in June 2010, Strip Morphologies II is a two-day intensive design, prototyping, and fabrication workshop to be held in New York City during the weekend of November 12-13, 2011. In a fast-paced and hands-on learning environment, this workshop will investigate the morphology of the ’strip’ by cross-linking developable surfaces and joining strategies. We will identify and exploit the constraints inherent in sheet material and CNC laser-cutting technology to explore and construct highly articulated material assemblies. Furthermore, the workshop will provide participants with instruction in digital fabrication techniques and direct access to CNC equipment. Read the rest of this entry »

In this project by Cheng Gong for a public library the  main idea is to emphasize the order and relationship between solids and voids. The final geometry derives from petals of flowers and small branches from trunks, the building  walls are two sides within the site and grow like a generation of branches in their early development phases. Floors are inserted into the volume to divide spaces vertically while creating a domino structural system. Branches are detached out of a bounding solid which is restricted by the site so that the rest of the space in the solid box plays the role of an envelop. As a result, voids are large spaces with abundant light. In contrast, in spite of providing light to the other interior spaces, visitors are able to “touch” and “feel” the negative spaces in between the masses. Read the rest of this entry »

Christos Koukis designed this project at the University of Patras, Department of Architecture under the advice of professor Vasilis Stroumpakos. Metaplasia comes from the greek word ‘μετάπλασις’ (mĕ-tap′lă-sis) which means change in form. As a scientific terminology is being used in cases where a cell type is not robust enough to withstand a new environment and so it mutates in another type more adapted to it. Read the rest of this entry »

As homes are becoming abandoned and foreclosed at an astonishing rate, suburbs are becoming a new safe haven for squatters and thieves. The “haunted house”, once reserved for homes on the territorial fringe, is making its way rapidly into suburban America. What you can’t see may kill you. The paranoid neighbor(hood).

There is an element present in all good horror/suspense films, an extreme feeling of discomfort and paranoia, something that works subliminally beneath the surface. Psycho, Paranormal Activity, Poltergeist…all of these movies play upon the fear of the unknown. The scariest monsters are the ones you never see, or perhaps only see glimpses of. The feeling of unease, or the uncanny, runs parallel to that of seduction. I’ll just show you a little. A tease. The promise of something is always more poignant than showing it outright. But what about when you finally see what you fear, what you lusted after, can the process be transformative? Can a glimpse of what may seem unsettling metamorphose into beauty? Read the rest of this entry »

This project designed by Cheng Gong and Jinming Feng received a honorable mention at the International School Museum of Flamenco Competition. Flamenco is one of the traditional Spanish dancing arts that still exists and is actively practiced.  Its most impressive aspect could be found in the strong rhythm that is generated between the synthetic reaction of music and dancing.

Based on the inspiration of the articulated expression of ancient ornamental iron patterns as well as the order of the columns and arches in Spanish churches, the architects’ strategy is to re-appear the exuberant atmosphere within the context. Architectural programs are mainly defined by the columns and the fluid partitions offset from the outer domain. At the same time, a more active and dynamic roof and vertical sub-structural system grow from the regular column matrix with the purpose of not only forming a highly rhythmic sound wave cover but also extracting people from the surroundings and gathering them into the site to have an interactive moment such as dancing and communication. The transformation of shading and light effects emphasizes the comparison between the columns and the mutated roof. Read the rest of this entry »

Anisotropia is based on Klavierstück I, a composition for piano by Orproject director Christoph Klemmt. The piano piece uses a twelve tone row which is repeated and altered by the different voices, in order to create complex rhythmic patterns. Anisotropia becomes the physical manifestation of Klavierstück I, a frozen piece of music. The installation is based on a simple strip morphology instead of a twelve tone row, which creates the structure, openings and rhythm within itself, its repetition happening in space instead of time. Layers of the strips form the wall system, and the shifting and alteration of these patterns results in the formation of complex architectural rhythms which are used to control the light, view and shading properties of the structure. The system has also been used for our design proposal for Busan Opera House. Read the rest of this entry »

This project is a design proposal conceived by Philip H. Wilck during his studies at the University of Applied Arts in Vienna under the guidance of Hernan Diaz Alonso. The project for a Concert Hall at the Stadtpark in Vienna rethinks the concept of a concert hall through the architectural emsemble of different geometrical and material configurations that offer the opportunity for a multilayered and complex music experience. The system includes central positioned classical, symmetric concert hall geometry, and two areas created as sound shells related to biological shell geometries (biomimicry) such as an ear or a muscle structure. Other elements provide spaces and areas for a fully energy self-sufficient building through host interaction and active materials. Read the rest of this entry »

An installation project by 24° Studio will be exhibited at Kobe Biennale 2011 from October 1 through November 23. The project was one of the winners for Shitsurai Art International Competition organized by the city of Kobe. This multi-use environmental installation serves as a meeting place where every area can be used as seating for visitors to contemplate the surroundings, thus invoking a social interaction.

The design motive was influenced by the history of the Great Hanshin-Awaji Earthquake of 1995 that led to inevitable changes within built environment sparring only the nature that surrounds Kobe. This devastating experience is remembered by Kobe residents making them a persistent and tight community, but remaining open and friendly to the visitors of the city. Strong social ties between people helped them to overcome the disaster and rebuilt the city making it a better living environment. However in the everyday life without problems and crisis, the face to face social interaction between people is decimating and it is one of the biggest problems in our technology driven time.

Crater Lake, an installation – environment where people have a place to meet to observe the beauty of the surrounding environment and more importantly to call forth an emphasis on sustaining social interaction, which was the important catalyst that brought Kobe residents to revitalize their city after the disaster. The installation is situated in the man-made Port Island, Shiosai Park that provides a vast view of the Kobe urban center, its surrounding mountainscape and seascape. Read the rest of this entry »

This project is a winning entry conceived by architects Chi Wai Chan, Xinyu Wan, and Geng Ke for a competition to design an arts and cultural square at Lake Sanyon in Daqing, China. The project examines the relationships between the elements of water, sky, and earth. A waterfront promenade that ensues the formal attributes and fluidity of the water, a 1,394 m long canopy with LED display that transpires the form of the clouds, and a ground condition of self-similar marine lifeform that establishes view corridors to the lake. These three design elements serve as the organizing  apparatus for the design of the square. Read the rest of this entry »

The ambition to provoke urban change can be understood as a desire to create an icon such as the Taiwan tower designed by STL Architects that highlights the unique character of Taichung city. The architects envisioned this reality as coherent blend through an architectural landscape anchored by iconic venues that will satisfy the needs of locals, the industries and future trends. The idea is to generate a flow network that communicates the Taichung gateway city project with the most important landmarks of the city.

The skin itself is a system: it is pixilated with glazed openings in the programmed and occupiable zones while permeable with openings in the central area. The degradation of the openings, varying between 20% and 60%, is done in order to achieve greater lightness in the central part of the tower, therefore using less material and saving.

The density and arrangement of beams in the structure provides higher levels of stiffness at the base, and a horizontal arrangement that does not obscure views at the top. The beams are minimized wherever possible to reduce dead load and create an overall visual lightness for the structure. While the body of the tower resists twisting and bending, the overall structure is held upright by the foundations. The foundations is created by the bottom of the ring, which is embedded several stories into the earth to resist lateral movement and stop the tower from falling. Read the rest of this entry »