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We have not reached the second decade of the new millennium but Belgian architect Vincent Callebaut is already imagining the cities of tomorrow. The “Hydrogenase” was conceived as a flying city powered by bio-fuels, wind turbines, and solar panels. Callebaut is proposing a new way of travelling, one that is slower than airplanes but faster than automobiles and ships. It flies at 2000 meters high and could carry up to 200 tons at 175 km/h. The semi-rigid and not pressurized airship consists of a vertical spine that twists along its 400 meter-high structure. It is subdivided in four main sectors for housing, offices, laboratories, and entertainment areas. These four sectors rest under four “bubbles” filled with bio-hydrogen and helium. Read the rest of this entry »

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Vertical Village designed by Graft is a mixed-use development in Dubai organized to reduce solar gain and maximize solar production. The buildings are massed as self-shading slabs to the North on the East-West axis to reduce low-angle sun penetration while a vast array of solar panels are located to the South. The solar roof behaves like a leaf with veins that break the solar field into units that provide structural support and transport the collected energy. Beneath lies an urban district with cinemas, restaurants, shops and theatres. The complex is designed to get gold LEED certification. Read the rest of this entry »

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The “Pavilion 21” designed by Coop Himmelb(l)au for the 2010 Munich Opera Festival is one of the first mobile opera houses in the world. The project was generated through the parametric analysis of the overlay sound frequencies of “purple Haze” by Jimi Hendrix and “Don Giovanni” by Mozart. The project will be installed at Munich’s Marstallplatz and according to the designers this was a very challenging work in order to achieve excellent acoustics and mobility. The 6,000 sqf pavilion is a cluster of trapezoidal components that are meant to reflect wound waves. Read the rest of this entry »

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New York-based architect Andre Kikoski has won the James Beard Foundation Award for Outstanding Restaurant Design for his firm’s design of The Wright in the Solomon R. Guggenheim Museum.  Kikoski, an emerging young talent, launched his firm only seven years ago. The Wright is a prime example of Kikoski’s work, showing his deft skill with materials, his ability to create a meaningful dialogue between art and architecture, and his finesse in designing a contemporary space inside an iconic structure. Read the rest of this entry »

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Alabama-based architectural firm Forrest Fulton designed a 900,000 sqf building that resembles a mountain in Yerevan, Armenia. The biomorphic building consists of a structural lattice that connects the city and landscape to the project. The hill is covered with regional plants and it is accessible to pedestrians as a leisure park. From the top there are excellent views to Mt. Ararat in Turkey. Read the rest of this entry »

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IwamotoScott Architecture designed a very innovative set of towers in New York City as part of the Greenwich South design study – commissioned by the Alliance for Downtown New York, and led by Architecture Research Office, Beyer Blinder Belle and Open. 

The work was shown in an exhibition, Five Principals For Greenwich South last fall in Lower Manhattan’s Zucotti Park. Architects, artists and designers who contributed work include: Architecture Research Office, Beyer Blinder Belle Coen + Partners, DeWitt Godfrey, IwamotoScott Architecture, Jorge Colombo, Lewis.Tsuramaki.Lewis Architects, Morphosis, OPEN, Rafael Lozano- Hemmer, Transolar Climate Engineering, WORKac. Read the rest of this entry »

Two projects by Greg Lynn that explore architecture in space in a near future.

New City is an architecturally considered virtual world; it responds to the emergence of social media through the design of a parallel virtual reality in which all of the earth’s inhabitants reside in a single interconnected city.

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The 2010 Shanghai World Expo is about to open in a couple of days. The majority of the pavilions are ready and expecting around 70 million people during the next months. One of the most publicized structures is the Danish pavilion designed by Bjarke Ingels Group. Since its conceptual stage it received instant praise by architectural critics and the media because of its design simplicity and concept. The building is a bicycle loop with a reflecting pool in the center. The Danish national symbol, the statue of the Little Mermaid, will be on display during the exhinition. Read the rest of this entry »

Middelfart Sparekasse, DK

Images: ©Adam Mørk

3XNs visionary and empathetic winning proposal unites the Middelfart savings Bank’s high ambitions for their new head office. The building must ensure a perfect environment for the employees, while also positively stress demands for high architectural quality in the future development along the harbour front.

One large roof covers all functions in the building. The roof is a large elegant wooden structure with numerous openings. The openings bring in abundant amounts of daylight and allow for direct view of the sea from all places in the building, up and down. In this way, the light and friendly atmosphere sought for by the bank is achieved. Read the rest of this entry »

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As one of the largest and most renowned cultural institutions in Québec, Musée National des Beaux-Arts du Québec houses extensive collections of historic and contemporary art and hosts major traveling exhibitions from across the globe. At present, the museum is located in three existing structures of varied history, purpose and architectural expression, but its small size has limited the scope of exhibitions it can mount. An international competition calling for proposals to extend the current museum was organized and generated worldwide interest, eventually won by OMA.

BIGs proposal developed jointly with Fugère Architectes for the extension is conceived as an open framework for exhibitions. The two main facades are conceived as gigantic windows revealing the changing content inside. In reverse the museum visitors will be able to enjoy the fantastic panorama of the Parc des Champs-de-bataille as well as the rare elevation of the church and convent courtyard on the opposite side. Visitors will enter along Quebec’s Grande Allé into the underside of the tilted volume of the new edition to the generous lobby underneath. This loft like space of industrial proportions in principle stretches all the way to the Charles Baillargé, hosting all the facilities related to ticketing, information, shop, art-café etc. We propose to expand and open the connections between the pavilions, transforming the museum complex into an integrated network of generous galleries rather than a cluster of distant rooms linked with tunnels. Read the rest of this entry »