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The prosposed design is not inteded to be seen just as a normal bridge or a path which is just the shortest link.The exisitng structure fullfills this requirement well enough. In this case it’s character and essence would be deepely rooted in making the city center of Atlanta more accessible and user friendly to the community and attractive to guests passing through. Because modern monuments don’t need to be just statues.They can be structures,areas , surfaces or places strengthening interaction, focused on performance in many ways, on what they can give in return to the eco-system, nature and society due to claiming of a piece of land. Hence the bridge design does not have to derive from aesthetics, beeing a sculptural form what would not bring any solutions for the issues of those who live within and visit Atlanta using the connections above the connector via car, bicycle, transit, and pedestrian movement systems.It can be a performative approach showcased in this parametric bridge design proposal which has the potential to be easily tailored to different needs and conditions including financial ones.

The outcome is a 35 meters wide and 144 meters long platform which would hover and stretch beyond the focus area to create a seamless connection with the land and improve pedestrian connections. The structure would form a roof allowing to shade specific areas positioned on an easy promenade featuring social active functions such as meeting points or market places. The extended pavement would still be giving necessary clearance for each type of traffic,where cars,bicycles would have it’s own lane, designed to changing vehicular needs. While the bridge would be a functional connector it’s character and essence would be defined by nature and the Atlanta City itself. Read the rest of this entry »

Electrical Energy is the key factor for mankind evolution and at the same time its Achilles heel, the demand of this precious resource keeps growing at exponential rates but our capacity to produce and transmit it is limited.

In the future, civilization will be forced to research and develop alternative energy sources. Our current rate of fossil fuel usage will lead to an energy crisis this century. In order to survive the energy crisis, our team is proposing new ways to extract energy from renewable and self-sustained sources.

The project develops as a way of finding a solution for this premise; inspired by tesla’s work and way of thinking we create a system based on four formulas that complement each other to achieve a renewable source of energy. This power grid is based on interrelated systems that support each other with different inputs and outputs as a balanced system.

The project is intended as a pilot based on its campus scale and location on Boston’s innovation district.

Formula 1 (Initial Push) – The purpose of this formula is to create enough energy for the initial push of our system. The two main aspects to consider is the height (min 40m) and the water mass that we need to power up the tesla turbine.

Formula 2 (Liquid Nitrogen Production) – The ideal way to distribute and store energy with a minimal loss is obtained by cryogenically cooled superconducting coil/cable.

Formula 3 (Electricity Generation) – Our infinite energy will be created through induction, where a magnet is constantly moving inside a coil. The energy is then stored in a Superconducting magnetic energy storage that requires liquid nitrogen.

Formula 4 (Hydrogen Production) – Since the amount of energy created is too much for our area, we will use the electricity to create Hydrogen by electrolysis.

Project by: Alejandro Carrillo, Borislav Schalev, Denis R. Li Read the rest of this entry »

The Wood Shed project designed by HAO / Holm Architecture Office is situated along the coast, a short drive from Taipei in Taiwan. The project is designed as an adaptive reuse project around an existing shed structure, re purposing all of the existing structure.

The building design takes it inspiration from the unique forest and nature located in Taiwan, creating a new building envelope that blends naturally into its surroundings.

A series of vertical wooden fins create natural shading for the shed interior and creates a consistent pattern that defines the entire shed volume as a built forest. Each fin has a series of small extrusions that, when stacked horizontally, creates the forest pattern that defines the shed exterior. The new facade pattern creates a seamless integration into the natural surroundings of the shed making the building one with its surroundings.

On the interior the roof and parts of the shed sides have clear polycarbonate facades to allow for control of changing weather conditions as well as integrated lighting.

“With the Wood Shed project we wanted to redefine the mainstream shed volume to directly reflect the beautiful surroundings of the Taiwan landscape. The project reuses the existing long span steel structure, keeping a completely flexible interior plan which allows the building to be used for a multitude of programs ranging from storage to exhibition space.” – Jens Holm (director, HAO) Read the rest of this entry »

A Rejuvenation of Pushkar Lake

By: admin | July - 13 - 2015

The design project reinterprets the Kṣīra Sāgara, a story of religious Hindu Cosmology and abstracts its embedded ontological process as a strategy of both formal design and functional solution in rejuvenating the ecological condition of the holy pilgrimage lake of Pushkar, India.

Through the conceptual abstraction of the Hindu cosmological story, the Ksiri Sagara, the project embodies an ontological design methodology as a process to define, solve and synthesise both its formal and functional requirements. Set at the sacred Hindu lake of Pushkar, India, the lake is a place of yearly pilgrimage for Hindus, and home to one of the world largest yearly camel fairs. The design outcome is an open-loop rejuvenating system of the lake, which due to the heavy environmental bearing of local activity, is under constant degradation. The design solution helps to regulate the lakes condition through a seasonal cyclic process of water storage, de-siltation, carbon filtration, biomass & camel pellet feed production, providing a local source of economic stability, clean privately sheltered bathing pools, public toilets, a tourism viewing tower and raising a wider scale awareness of the lakes condition and possible alternatives to local chemical farming techniques.

Design: James London Mills
Tutors at the Bartlett: Marcos Cruz, Marjan Colletti  Read the rest of this entry »

eVolo Magazine is pleased to invite architects, students, engineers, designers, and artists from around the globe to take part in the 2016 Skyscraper Competition. Established in 2006, the annual Skyscraper Competition is one of the world’s most prestigious awards for high-rise architecture. It recognizes outstanding ideas that redefine skyscraper design through the implementation of novel technologies, materials, programs, aesthetics, and spatial organizations along with studies on globalization, flexibility, adaptability, and the digital revolution. It is a forum that examines the relationship between the skyscraper and the natural world, the skyscraper and the community, and the skyscraper and the city.

The participants should take into consideration the advances in technology, the exploration of sustainable systems, and the establishment of new urban and architectural methods to solve economic, social, and cultural problems of the contemporary city including the scarcity of natural resources and infrastructure and the exponential increase of inhabitants, pollution, economic division, and unplanned urban sprawl.

The competition is an investigation on the public and private space and the role of the individual and the collective in the creation of a dynamic and adaptive vertical community. It is also a response to the exploration and adaptation of new habitats and territories based on a dynamic equilibrium between man and nature – a new kind of responsive and adaptive design capable of intelligent growth through the self-regulation of its own systems.

There are no restrictions in regards to site, program or size. The objective is to provide maximum freedom to the participants to engage the project without constraints in the most creative way. What is a skyscraper in the 21st century? What are the historical, contextual, social, urban, and environmental responsibilities of these mega-structures?

eVolo Magazine is committed to continue stimulating the imagination of designers around the world – thinkers that initiate a new architectural discourse of economic, environmental, intellectual, and perceptual responsibility that could ultimately modify what we understand as a contemporary skyscraper, its impact on urban planning and on the improvement of our way of life.

REGISTRATION

Architects, students, engineers, and designers are invited to participate in the competition. We encourage you to have multidisciplinary teams.

  • Participants must register by January 19, 2016.
  • Early Registration:  USD $95 until November 17, 2015.
  • Late Registration: USD $135 from November 18, 2015 to January 19, 2016.
  • One registration = One project
  • Participants may submit various projects, but must register each entry.
  • There is no limit as to the number of participants per team. Individual entries are accepted.

After your registration has been approved eVolo will send the registration number (within 24 hours), which will be necessary for submission boards.

-> REGISTER YOUR TEAM

SCHEDULE

  • July 10, 2015 – Competition announcement, registration begins, acceptance of questions.
  • November 3, 2015 – Deadline for submitting questions.
  • November 17, 2015 – Early registration deadline
  • December 1, 2015 – Answers to questions posted on website
  • January 19, 2016 – Late registration deadline
  • January 26, 2016 – Project submission deadline (23:59 hours US Eastern Time)
  • March 22, 2016 – Winners’ announcement

SUBMISSION REQUIREMENTS

This is a digital competition and no hardcopies are necessary. Entrants must submit their proposal no later than January 26, 2016 (23:59 hours US Eastern Time) via email to skyscraper2016@evolo.us.

The project submission must contain the following files:

  1. Two boards with the project information including plans, sections, and perspectives. Participants are encouraged to submit all the information they consider necessary to explain their proposal. These boards should be 24″(h) X 48″(w) in HORIZONTAL format. The resolution of the boards must be 150 dpi, RGB mode and saved as JPG files. The upper right corner of each board must contain the participation number. There should not be any marks or any other form of identification. The files must be named after the registration number followed by the board number. For example: 0101-1.jpg and 0101-2.jpg.
  2. A DOC file containing the project statement (600 words max). This file must be named after the registration number followed by the word “statement”. For example: 0101-statement.doc.
  3. A DOC file containing the entrants’ personal information, including name, profession, address, and email. This file must be named after the registration number followed by the word “info”. For example: 0101-info.doc.
  4. All the files must be placed in a ZIP folder named after your registration number. For example:  0101.zip

JURY

Matias del Campo [principal SPAN]
Matias del Campo studied architecture at the University of Applied Arts Vienna, Austria, where he graduated with distinction. Together with Sandra Manninger he founded the Architecture Office SPAN in 2003. Apart from his role as founder and principal of SPAN, his academic qualifications include an appointment as visiting Professor at the DIA, Dessau Institute of Architecture (Dessau, Germany), the ESARQ, Universitat Internacional de Catalunya, in Barcelona, Spain, a lecturer position at the University of Pennsylvania, UPenn, USA. In fall 2013 he was appointed as Associate Professor of Architecture at Taubman College, University of Michigan. In 2008 and 2010 he served as curator for the ABB, Architecture Biennale Beijing. His main projects include: The Austrian pavilion at Shanghai EXPO 2010; The Microblur project, commissioned by Microsoft Austria and The Austrian Winery Boom, exhibition design for ACF, New York, commissioned by the Architecture Center Vienna. In 2012 the work of SPAN was on show at the Venice Architecture Biennale. In 2013 the work of Matias del Campo and Sandra Manninger was on display at the 9th Archilab Exhibition of the FRAC Center in Orleans France, Naturalising Architecture. His work is part of the permanent collection of FRAC Orleans, the MAK in Vienna and the Albertina, Vienna.

Thom Faulders [principal Faulders Studio]
Faulders Studio works at the intersection of commissioned architecture, speculative design research, permanent public art installations, and international museum and gallery exhibitions. Directed by architect Thom Faulders, the multi-disciplinary practice believes that the design of today’s built the environment can be positioned as an open condition: a responsive medium formed in direct exchange with active contextual phenomena and dynamic perceptual tactics. With a focus on new production methodologies and innovative material applications, the projects embed architecture with spatial variability that sync stability with change, and are informed through and defined by investigations into emergent behaviors of complex systems. Participation in leading international museum and gallery venues includes the FRAC Centre Orleans in France, Oslo Triennale, SOMarts Cultural Center San Francisco, San Francisco Museum of Modern Art, New York Museum of Modern Art, New York Center for Architecture, San Francisco Museum of Craft and Design, UC Berkeley Art Museum, Art Institute of Chicago, Fondazione La Triennale di Milano, Lisbon International Biennale, Maison de l’Architecture et de La Ville, Kunstlerhaus Vienna, Wattis Institute for Contemporary Art San Francisco, and is included in the permanent architecture and design collections at the FRAC Centre Orleans and San Francisco Museum of Modern Art. Awards include AIA New Practices Award, AIA Building Awards, Emerging Architect Award from the Architecture League of New York, SFMOMA Experimental Design Award, Society of Environmental Graphic Design Award, Private Plots International Design Awards, Winning Competition Award SF Bay Conservation & Development Commission, Miami Bienal + Beach Competition Award, plus others.

Greg Lynn [principal Greg Lynn Form]
Greg Lynn was born in 1964. He won a Golden Lion at the Venice Biennale of Architecture, received the American Academy of Arts & Letters Architecture Award and was awarded a fellowship from United States Artists. Time Magazine named him one of 100 of the most innovative people in the world for the 21st century and Forbes Magazine named him one of the ten most influential living architects. He graduated from Miami University of Ohio with Bachelor of Environmental Design and Bachelor of Philosophy degrees and from Princeton University with a Master of Architecture degree. He is the author of seven books.

Marcelo Spina [principal P-A-T-T-E-R-N-S]
P-A-T-T-E-R-N-S is a design research architectural practice based in Los Angeles and operating globally. Founded in 1999 and headed by Principals Marcelo Spina and Georgina Huljich, P-A-T-T-E-R-N-S work has gained international recognition for its subtle approach to architecture; one that seamlessly integrates digital technology with an extensive consideration of form, novel tectonics and innovative materials. P-A-T-T-E-R-N-S aims to generate innovative spatial forms that actively engage, enhance and influences the body, constantly challenging its relationship to the built environment akin to the complexity of contemporary life. With a decidedly global reach and working across multiple scales, programs, cultures and economies, P-A-T-T-E-R-N-S has completed projects in the US, South America and Asia. Their work has been extensively exhibited and published worldwide and is part of the permanent collections of the SF MOMA, Chicago Art Institute and MAK Museum in Vienna. Recipient of numerous professional prizes and awards, in 2011 P-A-T-T-E-R-N-S integrated the prestigious Emerging Voices Series of the Architectural league of New York, and were the recipient of the Arch is Award by the AIA Los Angeles Chapter. In 2004 the firm was recognized as one of the 11 most progressive offices working worldwide by Architectural Record Design Vanguard issue. In 2003 they received the third prize in the prestigious Young Architect of the year Award that propelled the firm to an early international recognition and most recently were finalists for the Ordos Prize and the Iakov Chernikov Prize.

Skylar Tibbits [principal SJET]
Skylar Tibbits’ research focuses on self-assembly and programmable material technologies for novel manufacturing, products and construction processes. Skylar is currently a Research Scientist in MIT’s Department of Architecture, teaching graduate and undergraduate design studios and co-teaching How to Make (Almost) Anything, a seminar at MIT’s Media Lab. Skylar was recently awarded a 2013 Architectural League Prize, The Next Idea Award at Ars Electronica 2013, the Visionary Innovation Award at the Manufacturing Leadership Summit, a 2012 TED Senior Fellowship and was named a Revolutionary Mind in SEED Magazine’s 2008 Design Issue. Previously, he has worked at a number of renowned design offices including: Zaha Hadid Architects, Asymptote Architecture and Point b Design. He has designed and built large-scale installations at galleries around the world, has been published extensively in outlets such as the New York Times, Wired, Nature, Fast Company, various peer-reviewed journals and books. Skylar has a Professional Degree in Architecture and minor in experimental computation from Philadelphia University. Continuing his education at MIT, he received a Masters of Science in Design Computation and a Masters of Science in Computer Science.

REGULATIONS

  1. This is an anonymous competition and the registration number is the only means of identification.
  2. The official language of the competition is English.
  3. The registration fee is non-refundable.
  4. Contacting the Jury is prohibited.
  5. eVolo Magazine, as the competition organizer, reserves the right to modify the competition schedule if deemed necessary.
  6. Entrants will be disqualified if any of the competition rules are not considered.
  7. Participation assumes acceptance of the regulations.

AWARDS

  • 1st place – US $5000 + press kit distribution by v2com
  • 2nd place – US $2000
  • 3rd place – US $1000

Winners and special mentions will be published in the book eVolo Skyscrapers 3 and several international print publications. In addition, the results are covered by the most important online architecture and design publications and general media such as the Huffington Post and The Wall Street Journal.

Previous winners have been featured in the following print publications:

ABC Magazine – Czech Republic, About:Blank Magazine – Portugal, Aeroflot – Russia, Architect Builder – India, Architecture and Culture – Korea, Architecture Design Art – Pakistan, Architektura Murator – Poland, AT Architecture Technique – China, Archiworld – South Korea AWM – The Netherlands, Azure – Canada, B-1 – Thailand,Bauwelt – Germany, Blueprint – United Kingdom, BusinessWeek– USA, C3 – Korea, CAAOH – Ukraine, Casamica – Italy, Casas y Mas – Mexico, Concept – South Korea, Courier Mail – Australia, Discover Magazine – USA, Donga – South Korea, Enlace – Mexico, Focus – Canada/Italy, Future Arquitecturas – Spain, Geolino Extra – Germany, Grazia Casa – Italy, Kijk – The Netherlands, L’Installatore Italiano – Italy, L’Arca – Italy, L’Uomo Vogue – Italy, La Razon – Spain,  Le Courier de l’ Architecte – France, Le Fourquet – Mexico, Mark Magazine – The Netherlands, Maxim – USA, Mercedes Benz Magazine – Germany, Mladina – Slovenia, Modulo – Italy, Modulor – Switzerland, NAN – Spain, Natur + Kosmos – Germany, New Scientist – United Kingdom, Oculus – USA, Of Arch – Italy, Pasajes de Arquitectura – Spain, Peak Magazine – Singapore, Popular Mechanics – USA/Russia, Popular Science – USA, Puls Biznesu – Poland, Quo– China/Spain, Rogue Magazine – Philippines, RUM – Sweden, Salt Magazine – The Netherlands, Science et Vie – France, Sciences et Avenir– France, Shanghai Morning Post – China, Space – South Korea,  Spade – Canada,  Spazio Casa – Italy, Specifier Magazine – Australia, SMW Magazine – Taiwan, Stafette – Germany,  Tall Buildings – Russia, Tatlin – Russia, The Broker – The Netherlands,The Outlook Magazine – China, The New York Times – USA, The Wall Street Journal – USA, Time Style and Design – USA, Travel and Leisure – USA, Vida Simples Magazine – Brazil, Vogue - Australia, USA, Vox Design – Poland, Wettbewerbe Aktuell – Germany, Wired – USA/Italy, Woongjin – Korea, World Architecture – China

FAQ

Who can participate in the competition?
Everyone is invited to participate, including students and professionals from any country worldwide.

Can we submit more than one entry?
Yes, but each project must be registered individually.

Can we submit printed boards?
No, this is a digital competition and all submissions must be in digital format as outlined in the competition brief.

Is there a specific height requirement for the skyscraper?
There is no specific height requirement.

Is there a specific program requirement?
No, participants have complete freedom to establish their own program, site and conceptual agenda.

-> REGISTER YOUR TEAM

MAD Architects reveals 8600 Wilshire, a residential project located in Beverly Hills, Los Angeles. 8600 Wilshire is MAD’s first US project and demonstrates founder Ma Yansong’s core design philosophy: to coalesce nature and community into a living environment among high-density cities.

Bringing the nature found on the adjacent foothills of Los Angeles into the city of Beverly Hills, 8600 Wilshire mimics a small sinuous white hill boasting an 18-unit residential village atop commercial space. Clustered white glass villas and trees ascend upward to contour the Beverly Hills skyline and provide a distinctive streetscape on Wilshire Boulevard.

The “hillside village” offers a variety of housing types for city residents, including three townhouses, five villas, two studios and eight condominiums. The massing of the village cultivates community with the added benefit of individual balcony-patios to maintain independence and privacy. Villa residents experience a balance between public and private as the incandescent villas appear opaque from the street, yet reveal a transparent façade facing the private garden, townhouse and condominium units.

The village is wrapped in a water-efficient “living wall” of native, drought-tolerant succulents and vines. Undulating around perforated windows on the façade, this vertical garden extends interior space to the exterior balconies and provides a natural green-screen for condominium residents. Along Wilshire Boulevard, the living wall lifts off the ground to reveal glass storefronts at ground level. The resulting effect is a floating plinth that resembles local privacy hedges and conceals an elevated courtyard. Hidden away from the street is an elevated courtyard accented by a canopy of trees and native plantings. At the center of this secret garden is a water feature flowing gently to a secondary reflecting pool in the lobby below. As residents leave the everyday bustle of the city, they find solitude at 8600 Wilshire in a garden valley – at home in nature.

In high-density cities, Modernist and Post-Modernist housing typically prioritized functions and formats over human relationships to the environment. For 8600 Wilshire, MAD considers the possibility of a new model for West Coast vernacular amid the sprawling density of Los Angeles. MAD purposes a harmonious architectural space of human experience by placing residents in the spiritual landscape of nature.

8600 Wilshire is expected to break ground this October. The project is newly honored in the “design concept” category at the 45th Annual Los Angeles Architectural Awards, hosted by the Los Angeles Business Council. Read the rest of this entry »

The Quartz designed by Michael Khoo at the RMIT University Melbourne, Australia is a master plan proposal situated in the bay of docklands which took the opportunity to investigate the role of architecture in overcoming the food crisis due to the predicted population spike by 2060. Existing farms can only produce that much, the expansion rate is slow because there will not be enough land to cater for more. The upright solution will be replacing the existing farming methods with the highly efficient vertical farms.

Motivation/Inspiration: Re-thinking agriculture
The proposal sets forth to approach the vertical farming typology in a whole new perspective. I wanted to do something different compared to most other vertical farm precedents and proposals. I believe that vertical farming can be something more than just a stacked up farming typology.

The Key Proposal
The Quartz attempts to create a totally transparent vertical farming process and exposing it to the public, turning the unnecessary private realm into a new form of public attraction, which indirectly educates the general public about the next generation of food production. On the other hand,I foresee that open green space in the future will be close to non-existent as most of them will be shrunk to make space for development.This master-plan hybridizes the farm and park typologies to form a new kind of educative,mutually beneficial public avenue.

Design and Form Generation
I wanted the ground area to be as inviting as possible and openness is the concept behind it. Circulation and spatial connectivity were adjusted in a way to provide the general public with a better user experience. The massing blocks were then being adjusted and positioned to prioritize street level comfort at the same time capturing surrounding views. The towers were sculpted under constraints such as day lighting, wind energy, shadow casting and also to programme needs. Using conventional form finding techniques, such as extrusion, twisting , and tapering, the result is a series of highly efficient diamond-like towers which breaks free from its surrounding high-rise neighbors to create its own identity yet still respecting the rectilinearity of Melbourne skyline.

Conclusion
The scheme aims to become a dense node of activity by creating a whole new unique relationship between public and private spaces, hybridizing agriculture, education, and commercial typologies together. The exposure of the overall process becomes an informative feature that educates the onsite audience to better understand that vertical farming is indeed the eventual replacement to conventional farming. Read the rest of this entry »

Semiotic Alpine Escape

By: admin | June - 25 - 2015

Semiological project applied on the program of a hotel as such reflects very significant difference in terms of comfort demand within the same class.
The subclassification into three classes, namely economy, business and superior is a consequence of the social establishment and wealth distribution . A hotel can be considered being a reflection of society, where a slice of such can be addressed to a particular luxury class, in the hotel sector expressed with a star- rating system. Contrast within society in terms of wealth distribution becomes better visible in the upper class, namely the last 5%, which addressed to the hotel sector means six to seven stars.
The project is a critical reflection of the question about through which  parameters luxury or comfort can be achieved and then gradually been differentiated according to class.
Such parameters affect primarily the privacy degree of the space, but other physical parameters such as materiality as well as topographical and environmental conditions are taken into account.
Furthermore psycological effects such as height, orientation towards most privileged views are key for the arrangement of the three classes.
The wide amount of program composed of retail shopping, the restaurants, theater and the services, will erect at 2000m height in the Dolomites having a ropeway station as primer access point.
The climatic condition allows two seasonal settings: Summer and Winter sport activities.
Design: Armin Senoner Read the rest of this entry »

House for the Digital Fiend

By: admin | June - 15 - 2015

This USC Undergraduate Thesis by Zack Matthews focuses on the contemporary condition of digital addiction and how the broad embrace of digital space has been at the expense of culturally significant physical social exchanges.

Virtual space has become so addictive because of its capacity to overstimulate user perceptions. We can be playing a favorite song on our phone, while browsing the latest news on a computer, while playing an interactive game on a tablet,

Upon entering back into physical space, banalities of reality are magnified and relapse back to the digital realm is that much more inevitable.

How do we make the physical environment as potent as the space accessible through technological devices – How can cultural addiction to personal technology be delayed?

#HOUSEFORTHEDIGITALFIEND addresses this question by re-examining the wall as a performative surface that intensifies perceptual engagements; specifically sight, sound and touch. These perceptions are of interest because they are the few of which are natively over-stimulated through technology.

By amplifying a non-virtual experience through; channeling and isolating sound, contorting and clarifying vision, and repelling then invoking occupation, the wall becomes an interactive element that makes physical space as enticing and engaging as the digital realm. Once physical engagement rebuttals the strength of digital engagement, the intent is that this will delay our cultural spiral further towards digital addiction. Read the rest of this entry »

Hyperlocalization of Architecture

-> BUY PRINT OR DIGITAL

Title: [ours] Hyperlocalization of Architecture: Contemporary Sustainable Archetypes
Author: Andrew Michler
Cover: Hardback
Size: 12″ x 9.5″ 
Pages: 264
ISBN: 978-1938740084
Publication date: August 2015

What lesson does the largest sustainable office building in the Southern Hemisphere, the smallest of houses in Tokyo, and an underground shopping mall in Mexico City share? They are in fact a perfect response to their conditions. They provide pronounced insights into the challenges and opportunities of contemporary environmental architecture throughout the world. An authentic architecture has emerged– from Melbourne’s kinetically charged buildings, Tokyo’s tiny homes, Cascadia’s large wood, Germany’s energy efficiency, Copenhagen’s bike culture, and Spain’s elegant day lit commercial buildings. These are new architecture archetypes which boldly anticipates the needs of the future by using place as the catalyst.

[ours] Hyperlocalization of Architecture explores the possibilities and promise of deep sustainable building design through the lens of some of the most provocative projects and esteemed architects of our time. Michler explores and documents the work first hand, and with extensive commentaries from the architects, readers gain a unique insight into how these buildings function in the context of their culture, environment, and utility.

Hyperlocalization is the synthesis of these conditions, challenging the conventions of what a building can be. Hyperlocal architecture captures concepts such as resilience, zero carbon, and regenerative, terms Michler calls aspirational architecture, and turns them into grounded and provocative fully realized forms.

[Japan Condenses] While micro home design is a fashionable subject and often given credit as a sustainable typology, the elements of building cost, services and transportation access, as well as temporal use and daylighting are just as critical for these homes to work as intended. In Japan the fusion of culture and inventiveness merge in manifestation of some of the most provocative small living spaces in the world, demonstrating how we can live better with less.

[Spain Wraps] Daylight is a core asset in larger scale Spanish architecture and has been mastered by the use of second skins, which both eliminate artificial light in the daytime but also allows the building to stay cool, dramatically reducing it need for energy. These buildings go well beyond beauty and function though by embedding a human value into what is often a difficult scale to design for.

[Australia Unfolds] Australia provides the most comprehensive group of environmental building designs. While striking in their distinctive and deep use of natural resources to provide quality living and working environments they also share a kinetic spirit. The design vocabulary is emulated in personal ways but these projects use the gesture of motion to engage with the place they are in.

Other chapters include [Germany Condenses] and the world’s first Passive House museum which is shortlisted final five for the Mies Van der Rohe award for 2015, [Cascadia Harvest] featuring the timber framed Bullitt Center, considered the world’s most sustainable office building, [Mexico Embeds] where subsurface architecture is taking root, and [Denmark Plays] which embraces a culture of inventiveness epitomized by 8 Tallet in Copenhagen.

“The book ‘[ours] hyperlocalization of architecture’ can be seen as a contemporary experimental guide for the future designers and produces different approaches to ‘ordinary architecture’ with regional sources or materials. In this regard, defines a new way of producing through provocative rules and limitations, removing all ambiguity about sustainable architecture. ” – designboom

The book opens with conversations with visionaries including Edward Mazria’s analysis of the significant impact of buildings in climate change, Dr. Wolfgang Feist on the extraordinary low energy Passive house movement, and William McDonough on how to create a design ecosystem that not only solves many of the ills of building design but how we approach design as a healing agent. Featuring a forward by Lloyd Alter and a unique online index for each project directly accessible from the book via smart phone.

Projects by: studio505 | PHOOEY Architects | William Mcdonough + Partners | KUD Architects | Berta Barrio Arquitectos | Francis-Jones Morehen Thorp. | Unemori Architects | Andrew Maynard Architects | Edward Mazria | Peter Busby Perkins+Will | Sean Godsell | Canvas Arquitectos | DesignInc | Hassell Studios | Kavellaris Urban Design | Lederer + Ragnarsdottir + Oei | A.L.X. Architects | BIG | Yasuhiro Yamashita | Miller Hull | Schemata Architecture | KMD Architects | MPR Design Group | Schemata Architecture | Coll-Barreu Arquitectos | Voluar Arquitecture | Durbach Block Jagger | Ramón Fernández-Alonso Arquitect

“This is all based on human creativity, and the ability for us to advance and continuously improve with freedom from the remote tyranny of bad design. That’s why the cultural question becomes interesting because at that point the culture can express itself in a creative way. It still has integrity because you’re expressing yourself creatively within a context. Your solving for rich, local problems. All sustainability, like politics is local. It has to be.” – William McDonough in [ours]

About the Author

Andrew Michler has lived off-grid for two decades in the Colorado Rocky Mountains and is a LEED AP BD+C and Passive House Consultant. He has written extensively on sustainable architecture in print and for leading design blogs. With an extensive background in sustainable design and construction he pioneered a net zero energy and foam free Passive House informed by the local foothills as a personal investigation in to the potential of hyperlocal design. His house is one of the most energy efficient buildings in the Americas.

Hyperlocalization of Architecture

Hyperlocalization of Architecture

Hyperlocalization of Architecture

Hyperlocalization of Architecture

Hyperlocalization of Architecture

Hyperlocalization of Architecture

Hyperlocalization of Architecture