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Johan Voordouw and Aisha Sawatsky have completed 12 digital etchings currently exhibited at the Rotterdam Kunsthal for IABR 2014 “Urban by Nature” biennale. Each etching contains a folly that articulates a specific weather condition. The project explores how shifts in climatic patterns will have a resultant cultural affect. Each of the twelve drawings expresses a weather condition, an activity, a different month and one of the Netherland’s twelve provinces. Therefore, the project is a reflection of the country as a whole, geographically, culturally, and with the passing of the seasons.

The final prints were produced by Mark Herschede of Haven Press Studio in Brooklyn. The digital drawings were photo-transferred onto a polymer plate and printed on 250gsm Arches Cover paper through a Takach Etching Press. Read the rest of this entry »

Multifarious Formations

By: admin | August - 18 - 2014

Multifarious formations is is a set of ongoing experiments in fabrication and modelling done by Daniel Caven, at the Southern California Institute of Architecture Robotics lab. The research constructed takes on the dilemmas of computer based modeling- and its lack of understanding of material agency within simulation and transformation.The idealistic setup for architecture, fabrication, and simulation is to have a real time feedback loops allowing the designer/machine to update according to gesture and errors in simulation. This allows for fabrication to have a customization and idealism to the processes. Using scanning methods and data analysis in the digital world the project is going to take on the idea of smart tooling.

Tactics in fabrications have been based on patterns and dialogs upon G code generation limiting uniqueness to a manufacturing process. Using paths in the milling process gives a diminishing value in design and a declining appreciation for uniqueness in design. Advanced fabrication in the research and experimentation takes on new ways of producing objects each unique to one another.

Image based drawing sets that change in resolution parameters allows for robotics to take on true free form fabrication. Image based manufacturing gives the result of the object at different resolutions and sets up new ways of making through single object displacement maps. Using this technique in its beta stage this research is able to create many different variations of the same object and a real time loop by bring the object back into the computer to show end results. Architecturally it deals with a precise imprecise way of developing analog modeling and digital feedback loops. Height Field maps are used as tool paths for building and forming objects that are then encased in resin and then removed my acid washes.

Multifarious Formations seeks to combine methods of computer based modeling and analog modeling. The research seeks to create a platform for freeform fabrication and real time feedback. In order to attack multiple problems of tooling, perform, shaping forces, and material intelligence.

New York Tomorrow

By: admin | August - 14 - 2014

Attacking the conventional residential tower model, characterized by anonymity and isolation, this building provides a living experience that would match social and urban dynamics of New York tomorrow. Cities are slow to adapt to the revolutionary technological changes that have occurred in the last 10 years, which have resulted in the ever increasing levels of digital, and crucially physical interaction. These changes manifest in this design through the magnificent lobby space open to the city, which could be used as a co-working area, an auditorium, etc. It transforms the whole experience of being in a residential tower, fostering communal well being. The soaring land prices pose a threat to the competitiveness of New York. It is crucial for the city to retain its ability to attract people. To address this the tower stems from an impossible site of 8ft by 70ft, on the corner of E68th street and Madison avenue, yielding housing close to work in the Midtown for hundreds of people.

Architects: Fundamental
Location: E68th street New York, NY, USA
Team: Ayrat Khusnutdinov, Zhang Liheng
Area: 138900sq.ft (12900sqm)
Year: 2014
Photo: Fundamental, New York Aerial Survey

The new Florida Polytechnic University – whose 170 acre campus and iconic central building were designed by architect Santiago Calatrava – will formally mark its opening on August 16 with a ceremony at the campus in Lakeland, Florida. The university is Florida’s 12th and newest member of the State University System and will welcome its first students later this month.

The main building – the Innovation, Science, and Technology Building – has been finished on schedule and under the $60 million budget. Located on the north side of the central lake it is designed around, the exterior of the 200,000 sq. ft. building is made up of aluminum, aluminum cladding, concrete and glass. The interior is made of concrete flooring and columns, plaster, steel and glass. It will function as the primary campus facility – housing classrooms, laboratories, offices, meeting spaces and even an amphitheater for larger events. On the second floor, offices and meeting rooms are arranged around the “Commons” – a large meeting space under the vaulted skylight.

The building has a pergola of lightweight aluminum trellis wrapping its exterior. The pergola not only adds character, but reduces the solar load on the building by 30%. It also has an operable roof, made of two sets of 46 aluminum louvers, which use the power of hydraulic pistons to move in relationship to the sun, and which can be fitted with solar panels. The operable roof helps to shade the skylight of the Commons from direct sunlight and to maximize daylight to the space.

Visible from the adjacent Interstate 4, the futuristic building has become a well-known feature in the local area and has already appeared in an ad campaign for a major automobile manufacturer, who used it as a backdrop for its commercial.

When designing the campus’ master plan, Calatrava made the most of the unique topography of the central Florida area. The campus lake offers dramatic views and serves as the primary storm water retention facility and as a storage vessel for site irrigation. The campus is connected by a series of pedestrian causeways and walkways, as well as a road circling the lake buffered by trees and greenery.

Santiago Calatrava said, “I am honored to have been involved in this project dedicated to the study of science, technology, engineering and math – a set of subjects so crucial to our society and our economy. I am proud of what we have all achieved and I hope the young people that study here will be inspired to be creative and to meet their potential.” Calatrava added, “Working with the visionary university leadership and amongst the enthusiastic Lakeland community has been a privilege and I wish everyone associated with this project the best of luck in coming years.”

Randy K. Avent, President of Florida Polytechnic University, said, “We’re extremely excited to be launching our new university this month. Santiago Calatrava has produced an inspiring learning facility, and we can’t wait to welcome our inaugural class for this first academic year. This is an institution and campus that all of us in Lakeland and across the state of Florida can be proud of.” Read the rest of this entry »

Initiated by the foundation Symboles, the project is situated at the intersection of two main axes in central Tunis. The project includes the redesign of the Square of 14 Janvier and its surroundings as well as the construction of the World Social Center (WSC) Tower.

This project reflects the political will to express the ideological and social changes brought about by the Tunisian revolution that took place between December and January 2011. Supported by competent political authorities, the project was managed within the foundation Symboles by the innovation adviser of Tunisian President Monsef Marzouki and monitored by his cultural adviser.

As an unprecedented project in the Arab world, the complex proposes a new vision for public space in the heart of the Tunisian capital by creating different types of civic space that are associated with multiple democratic practices. For example: the People’s Agora at the center of the Square of 14 Janvier, renamed as the « Square of the People »; the Promenade of the People, with fountains dedicated to the martyrs of the revolution; the Garden of Liberty and the Garden of Delights; and the WSC tower which is houses spaces dedicated to social, economic, and artistic innovation.

The project’s design process reflects and embodies the hopes and possibilities brought about by the revolution as well as their social, economic, cultural, artistic, architectural, and urban implications.

The studies were carried out by the Philippe Barriere Collective (PB+Co) with the local architectural firm Studio 3, and the engineering firm MB&Co. The project began in May 2012 and was abandoned in the spring of 2013 due to the political and economic degradation of the country. Read the rest of this entry »

For some time now there has been a plan to design a museum of oil in Italy . The site of Vallezza , starting from the first drilling in 1905 , has established itself as a strategic center for the extraction of hydrocarbons in Italy; it has played a very important role during the two world wars of the first half of 900; his unique yellow oil , with natural characteristics similar to those of an already refined product, was pumped directly from the reservoir to the tanks of vehicles. The story of hydrocarbons, although still short in the context of human history, today is one of the events that have most influenced and changed our way of life and the planet itself. From the seventies to today, the extraction of hydrocarbons has not undergone substantial technological evolution; activity is concentrated in research and oil processing in consumer products and especially energy. I guess, in the composite and sometimes crumbling reality of Vallezza , a story that can go beyond the simple narrative of the time of the hydrocarbons and their exploitation : a kind of purification and redemption; I do not intend to represent, in this place, a present that is visible to all, but a now -too-distant past that belongs to history, and a growing story for the future; from here the idea of conversion, re-appropriation by the nature of a land transformed by humans and a future full integration between man, technology and nature.

Project by Enrico Galeazzi. Read the rest of this entry »

Fab Housing For Rome

By: admin | August - 7 - 2014

Fab-Housing is the Master’s degree project presented by Eugenio Aglietti, Luca Beltrame and Jessica Tiberi for the final thesis of IN/ARCH Post-graduate Master Course ‘Expert Designer in Emerging Technologies’.

The proposal concerns the requalification of Caserma Ruffo area in Rome and aims to give a different interpretation of Social Housing, adding a connotation related with work and productivity.

The main buildings redevelopment is arranged as new facades consisting in walkways and honeycomb-like productive residences. The system of new hexagonal cells, co-working spaces and buildings’ new loft, contribute to create a productive community in which each habitant can provide a specific service. In this way Fab Housing community is able to cover several functions like small shops, laboratories, professional activities, gyms, offices, small art galleries and craft shops.

Every cell is composed by a steel structure, self-bearing insulation panels, wood and resin panels, while the hexagonal grid structure allows to join multiple modules creating different configurations. The resulting facade combines honeycomb cells with semi-public open terraces facing the inner courtyard, in which the current parade ground has been turned into a new urban park, including spaces for temporary markets and public events, urban gardens and skate park. Read the rest of this entry »

Man’s obsession with grandeur and indulgent creations has led to iconic absurdity. We are the generation that will suffer at the hands of the creators of a wasteful era. These icons must and therefore shall fall.

The globally conscious society; calculating and reacting to these fluctuations will become part of an imperative process that will enable a reaction for designers of space. A new and expressive type of architecture is needed as well as the cities that reflect the needs and demands of them, solutions that consider the global and local dilemmas is imperative to humanities progression. “La cattedrale” designed by James Goldsby is a socially responsible building that aims to deliver a message to the users of the space through religious architecture influencers. A message that every action has a reaction. The building is able to adapt to interaction, the structure is able to adjust and move using simple but intelligent joint systems that have the ability to alter atmospheres and by extension the sensation of spaces which effect the user(s). Every element of the building has been designed to allow transformation, replacement and reinterpretation by designing a system that the average man can construct and maintain to remove dependence on other systems which enables each individual and gives them the responsibility to affect their own environment, hold ownership over it and encourage an ideology of socially and mutually responsible living. Read the rest of this entry »

The pavilion bar designed by Margot Krasojevic is part of Paris’ flood control infrastructure. An enclosed circular glass bar rests over a bell mouth spillway which allows water to enter from it’s entire perimeter, directing the water throoughout the design, into the spillway.

The circular bar is zoned to direct water through it’s ramps and into the spillway situated under a moveable glass clad floor. The industrial function of the bar is combined with an ethereal monocoque shell that houses the light and reflective nature of the pavilion bar’s interior, etched glass gives an effervescent feel with the lattice spillway filtering water as it is channelled through the underground network of submerged canals, upstream to the impounded lakes and nearby reservoirs.

A lightweight composite fibre monocoque canopy covers the pavilion formed as a whirlpool to channel rainwater around it’s surface and into the spillway beneath it. Paris’ intircate and detailed manhole covers were the inspiration for the design. Read the rest of this entry »

The proposal “Sonic Scape” – The House of Hungarian Music, by Aaron Neubert Architects, is conceived as a tribute to the esteemed figures within the influential musical history of Hungary. In the spirit of composers Bela Bartok and Zola Kodaly, HHM will serve as an open, accessible, and flexible venue bringing the vast contemporary and historical traditions to the people, as well as welcoming emerging musical experimentation. The HHM will create a space of immersion in music, yet open to the urban landscape of Budapest and in particular that of the City Park. This proposal therefore serves not only as an experiential and interactive symbol for music, but also as an iconic incubator open to the citizens of Budapest and welcoming various influences. The building’s relationship to the site is developed to encourage park activities to flow through the HHM and conversely music activities, to spill into the park.

Specifically, the project explores two primary experiential objectives, a Measured Landscape and an Occupied Instrument. The first objective being the development of an architecture that acts as a tool to measure, survey, record, and ultimately engage the surrounding landscape – following the trajectory of Bartok and Kodaly’s field endeavors. The second objective is the creation of an immersive architectural experience – inspired by Mierswa & Kluska’s photographs of the interior of musical instruments. These two interests manifest themselves in HHM’s formal appearance, physical relationship to the landscape, and within the interior of the building. With the intention of creating an icon that can uniquely serve the diverse objectives and influences found within the Hungarian musical tradition and the project’s mission, as well as respond to the complexity of the City Park site, the HHM presents varied and evolving facades. References such as vernacular and civic architecture, traditional Hungarian musical instruments, contemporary acoustical geometries, sheet music, a grand piano, and an accordion are all evoked within the building.