Floating Skyscraper For Tourism

By:  | August - 16 - 2019

Editors’ Choice
2019 Skyscraper Competition

Umut Baykan, Doğuşcan Aladag
United Kingdom

Tourism is a socio-economic phenomenon. It enables people to encounter new experiences all around the world. Contributing significantly to the global economy, it benefits local employment figures whilst providing opportunities for cultural exchange. The number of tourists has risen dramatically since 1950: from 25 million to 1.2 billion in 2017. Movement of so many people at seasonally determined periods of time creates massive demand for accommodation. This demand presents a problem across urban and environmental scales.

For the majority of touristic destinations, demand spikes in certain parts of the year. Traditionally, the model has been to build hospitality facilities such as hotels to meet this demand. As a result, they account for a disproportionate percentage of the built environment. Since these facilities are vacant of people and purpose outside of peak season, they are routinely shut down in order to limit maintenance and resourcing costs. Unfortunately, for settlements that are reinvented as tourist destinations, the impact is significant and detrimental. The local economy becomes fragile, the cultural life is undermined, all to the point whereby towns become more like ghost-towns when the tourist season is over. Profit becomes a higher priority than the conservation of local beauty for developers. This attitude is unsustainable, as the quality of the landscape is often what attracted tourists in the first place. Read the rest of this entry »

Editors’ Choice
2019 Skyscraper Competition

Dimo Ivanov
Switzerland

Inspiration
Inspired by professor Donald r. Sadoway’s notion of giant container-sized liquid metal battery, Ephemere high-rise proposes the idea of a floating power station and liquid metal battery charging station.

Liquid metal battery
The team of professor sadoway – ambri aims to develop a giant battery that fits in a 40-foot shipping container for placement in the field. And this has a nameplate capacity of two megawatt-hours. That’s enough energy to meet the daily electrical needs of 200 households. Ambri’s cells are strung together within a thermal enclosure to form an ambri core. The ambri core is ‘self-heating’ when operated every couple of days, requiring no external heating to keep the batteries at temperature. The ambri system comprises multiple ambri cores that are strung together and connected to the grid with power electronics. The configuration of the ambri system is modular and can be customized to meet specific customer needs.

Offshore wind, wave and tidal energy
Ephemere high-rise uses 100% renewable energy sources for electricity production. Harnessing energy from offshore winds, waves, and tides holds great promise for our world’s clean energy future. Energy production is just one of the valuable resources our oceans and coastal ecosystems provide. We can successfully develop offshore renewable energy by ensuring that energy projects are sited, designed, and constructed in a manner that protects our fragile ocean ecosystems. Read the rest of this entry »

Atlântica Self-Rising Tower

By:  | July - 30 - 2019

Editors’ Choice
2019 Skyscraper Competition

Jo Palma + Partners Corporation
United States

The Atlântica self-rising tower investigates the future of construction and explores the boundaries of automated building assembly and self-organization. Inspired by the behavior of insects like ants, termites and bees and their ability to construct large-scale habitats for their communities, research and investigations on self-assembling components demonstrate the potential future for construction. Envisioning that building parts can organically self-assemble into optimal, self-supporting configurations in an oceanic environment, the Atlântica tower concept challenges the ordinary construction process by building from top to bottom and from underwater up.

By utilizing a magnetic system embedded in the structural frame of the individual components, the building members could be joined together based on predefined and optimized geometry and construction sequencing algorithms. The building form would change based on the number of members deployed underwater, which could be continuously modified by addition or subtraction. These modular components would be produced off-site, shipped to desired assembly location and released underwater, allowing the self-assembly process to begin. Triggered by increased water entropy, the individual pieces would find their adjacent matches and start the forming process of the structure.

The modular framework of the Atlântica tower allows for different program types with easy adaptability. From housing, lodging and working uses to vertical farming and sky gardens, Atlântica could become a community within itself. Read the rest of this entry »

eVolo Magazine is pleased to invite architects, students, engineers, designers, and artists from around the globe to take part in the 2020 Skyscraper Competition. Established in 2006, the annual Skyscraper Competition is one of the world’s most prestigious awards for high-rise architecture. It recognizes outstanding ideas that redefine skyscraper design through the implementation of novel technologies, materials, programs, aesthetics, and spatial organizations; along with studies on globalization, flexibility, adaptability, and the digital revolution. It is a forum that examines the relationship between the skyscraper and the natural world, the skyscraper and the community, and the skyscraper and the city.

The participants should take into consideration the advances in technology, the exploration of sustainable systems, and the establishment of new urban and architectural methods to solve economic, social, and cultural problems of the contemporary city including the scarcity of natural resources and infrastructure and the exponential increase of inhabitants, pollution, economic division, and unplanned urban sprawl.

The competition is an investigation on the public and private space and the role of the individual and the collective in the creation of a dynamic and adaptive vertical community. It is also a response to the exploration and adaptation of new habitats and territories based on a dynamic equilibrium between man and nature – a new kind of responsive and adaptive design capable of intelligent growth through the self-regulation of its own systems.

There are no restrictions in regards to site, program or size. The objective is to provide maximum freedom to the participants to engage the project without constraints in the most creative way. What is a skyscraper in the 21st century? What are the historical, contextual, social, urban, and environmental responsibilities of these mega-structures?

eVolo Magazine is committed to continuing stimulating the imagination of designers around the world – thinkers that initiate a new architectural discourse of economic, environmental, intellectual, and perceptual responsibility that could ultimately modify what we understand as a contemporary skyscraper, its impact on urban planning and on the improvement of our way of life.

REGISTRATION

Architects, students, engineers, and designers are invited to participate in the competition. We encourage you to have multidisciplinary teams.

  • Participants must register by January 28, 2020.
  • Early Registration: USD $95 until November 19, 2019.
  • Late Registration: USD $135 from November 20, 2019 to January 28, 2020.
  • One registration = One project.
  • Participants may submit various projects but must register each entry.
  • There is no limit as to the number of participants per team. Individual entries are accepted.
  • After your registration has been approved, eVolo will send the registration number (within 24 hours) which will be necessary to include in the submission boards.

-> CLICK HERE TO REGISTER YOUR TEAM

SCHEDULE

  • July 17, 2019 – Competition announcement and registration opens.
  • November 19, 2019 – Early registration deadline
  • January 28, 2020 – Late registration deadline
  • February 11, 2020 – Project submission deadline (23:59 hours US Eastern Time)
  • April 21, 2020 – Winners’ announcement

SUBMISSION REQUIREMENTS

This is a digital competition and no hardcopies are necessary. Entrants must submit their proposal no later than February 11, 2020 (23:59 hours US Eastern Time) via email to skyscraper2020@evolo.us. 

The project submission must contain the following files:

  1. Two boards with the project information including plans, sections, and perspectives. Participants are encouraged to submit all the information they consider necessary to explain their proposal. These boards should be 24″(h) X 48″(w) in HORIZONTAL format. The resolution of the boards must be 150 dpi, RGB mode and saved as JPG files. The upper right corner of each board must contain the participation number. There should not be any marks or any other form of identification. The files must be named after the registration number followed by the board number. For example: 0101-1.jpg and 0101-2.jpg.
  2. A DOC file containing the project statement (600 words max). This file must be named after the registration number followed by the word “statement”. For example: 0101-statement.doc.
  3. A DOC file containing the entrants’ personal information, including name, profession, address, and email. This file must be named after the registration number followed by the word “info”. For example: 0101-info.doc.
    All the files must be placed in a ZIP folder named after your registration number. For example: 0101.zip
  4. If your files are larger than 20MB you can submit your entry using a file sharing service like wetransfer or Google Drive to skyscraper2020@evolo.us

JURY

Berrin Chatzi Chousein [Editor-in-Chief, World Architecture Community]
Alper Derinboğaz [Founder, Salon Architects]
Jürgen H. Mayer [Founder, J. MAYER H. and Partner, Architekten mbB]
Manuel Navarro Zornoza [Principal, Latitude Architectural Group]
Michael Neumann [Principal, Synn Architects]
Ryuichi Sasaki [Founder, Sasaki Architecture]
Lu Yun [Founder, MUDA Architects]

REGULATIONS

  1. This is an anonymous competition and the registration number is the only means of identification.
  2. The official language of the competition is English.
  3. The registration fee is non-refundable.
  4. Contacting the Jury is prohibited.
  5. eVolo Magazine, as the competition organizer, reserves the right to modify the competition schedule if deemed necessary.
  6. Participants retain all copyrights of their designs. eVolo Magazine is granted permission to publish in print and digital publications all projects submitted to the competition.
  7. Entrants will be disqualified if any of the competition rules are not considered.
  8. Participation assumes acceptance of the regulations.

AWARDS

1st place – US $5000 + additional press distribution by v2com
2nd place – US $2000
3rd place – US $1000

Winners and special mentions will be published by eVolo and several international print publications including the forthcoming book EVOLO SKYSCRAPERS 4. In addition, the results are covered by the most important online architecture and design publications and general media such as The Huffington Post and The Wall Street Journal.

-> CLICK HERE TO REGISTER YOUR TEAM

Previous winners have been featured in the following print publications:

ABC Magazine – Czech Republic, About:Blank Magazine – Portugal, Aeroflot – Russia, Architect Builder – India, Architecture and Culture – South Korea, Architecture Design Art – Pakistan, Architektura Murator – Poland, AT Architecture Technique – China, Archiworld – South Korea, AWM – The Netherlands, Azure – Canada, B-1 – Thailand, Bauwelt – Germany, Blueprint – United Kingdom, BusinessWeek– USA, C3 – South Korea, CAAOH – Ukraine, Casamica – Italy, Casas y Mas – Mexico, Concept – South Korea, Courier Mail – Australia, Discover Magazine – USA, Donga – South Korea, Enlace – Mexico, Focus – Canada/Italy, Future Arquitecturas – Spain, Geolino Extra – Germany, Grazia Casa – Italy, Kijk – The Netherlands, L’Installatore Italiano – Italy, L’Arca – Italy, L’Uomo Vogue – Italy, La Razon – Spain, Le Courier de l’ Architecte – France, Le Fourquet – Mexico, Mark Magazine – The Netherlands, Maxim – USA, Mercedes Benz Magazine – Germany, Mladina – Slovenia, Modulo – Italy, Modulor – Switzerland, NAN – Spain, Natur + Kosmos – Germany, New Scientist – United Kingdom, Oculus – USA, Of Arch – Italy, Pasajes de Arquitectura – Spain, Peak Magazine – Singapore, Popular Mechanics – USA/Russia, Popular Science – USA, Puls Biznesu – Poland, Quo– China/Spain, Rogue Magazine – Philippines, RUM – Sweden, Salt Magazine – The Netherlands, Science et Vie – France, Sciences et Avenir– France, Shanghai Morning Post – China, Space – South Korea, Spade – Canada, Spazio Casa – Italy, Specifier Magazine – Australia, SMW Magazine – Taiwan, Stafette – Germany, Tall Buildings – Russia, Tatlin – Russia, The Broker – The Netherlands, The Outlook Magazine – China, The New York Times – USA, The Wall Street Journal – USA, Time Style and Design – USA, Travel and Leisure – USA, Vida Simples Magazine – Brazil, Vogue – Australia/USA, Vox Design – Poland, Wettbewerbe Aktuell – Germany, Wired – USA/Italy, Woongjin – South Korea, World Architecture – China

FAQ

Who can participate in the competition?
Everyone is invited to participate, including students and professionals from any country worldwide.

Can we submit more than one entry?
Yes, but each project must be registered individually.

Can we submit printed boards?
No, this is a digital competition and all submissions must be in digital format as outlined in the competition brief.

Is there a specific height requirement for the skyscraper?
There is no specific height requirement.

Is there a specific program requirement?
No, participants have complete freedom to establish their own program, site and conceptual agenda.

Hardcover: 238 pages
eVolo Press; 2019
Jose Sánchez
-> Get it on Amazon

The Blindspot Initiative: Design Resistance and Alternative Modes of Practice documents the professional work of twenty-one design practices that are expanding their respective fields and hybridizing traditional design outputs through the intersection of other disciplines. The expansion of architectural and design practices toward the domain of robotics, material science, film, simulation, or software, redefine the skillsets required to engage with a creative output that challenges the conventions of established domains.

All practices curated in this volume, propose an autonomous approach towards design research, resisting the pervasive design competition model that requires free labor and speculative remuneration. The critique of such a model is present throughout this volume, rejecting the wasteful discarding of immaterial labor that is commonplace in the ‘winner takes all’ paradigm that currently dominates the design marketplace.

The hybridization of practice has, in many cases, aided a creative business proposition, one that seeks to engage not only through its final output but also through reconsidering the means of production. By blurring the boundaries between fields, design innovation can become more aware of the systemic interdependencies that often live in our current disciplinary blind spots.

The Blindspot Initiative, in its first incarnation as an exhibition in Los Angeles, was the result of a collaboration between Jason King, Biayna Bogosian, Sacha Baumann, and Jose Sanchez, to explore the space of self-financing and self-commissioning of new creative work. From the critique of competitions, The Blindspot Initiative attempts to create an alternative loop between design and resources, one in which the propagation and documentation of new knowledge developed in design research can economically sustain its production, generating a positive feedback loop between innovation and knowledge propagation.

Texts by Jenny Wu, Jason Kelly Johnson, David Gerber, Mustafa El-Sayed, and Kate Davies, introduce the designers by offering alternative perspectives on the contributions of the field of robotics, software, film, product design and prototype thinking, to the practice of architecture.

Each chapter presents work at the edge of the architectural discipline either coming from inside the discipline or approaching it from the outside. In purposefully attempting to expand the boundary of architectural practice, this volume aims to offer new avenues for students and young designers to expand the imagination of architecture and reject unethical practices that have become commonplace during the first years of practice.

eVolo Magazine is pleased to announce the winners of the 2019 Skyscraper Competition. The Jury selected 3 winners and 27 honorable mentions from 478 projects received. The annual award established in 2006 recognizes visionary ideas that through the novel use of technology, materials, programs, aesthetics, and spatial organizations, challenge the way we understand vertical architecture and its relationship with the natural and built environments.

The FIRST PLACE was awarded to METHANESCRAPER designed by Marko Dragicevic from Serbia. The project is a vertical city-district in Belgrade that serves as landfill with recycling capabilities.

The recipients of the SECOND PLACE are Klaudia Gołaszewska and Marek Grodzicki from Poland for the project AIRSCRAPER. This proposal envisions a city-like skyscraper that cleans air of heavily polluted urban settlements.

CREATURE ARK: BIOSPHERE SKYSCRAPER designed by Zijian WanXiaozhi Qi, and Yueya Liu from the United Kingdom received the THIRD PLACE. The project is a nature reserve skyscraper with research facilities.

The Honorable Mentions include an ice dam skyscraper that prevents further melting of the ice caps, a wooden skyscraper that pushes the boundary of the use of timber in vertical structures, and a horizontal skyscraper for the US-Mexico border among other innovative projects.

The Jury was formed by Melike Altınısık [Founder and design principal Melike Altınısık Architects], Vincent Callebaut [Founder and design principal Vincent Callebaut Architectures], Marc Fornes [Founder and design principal THEVERYMANY], and Mitchell Joachim [Co-Founder and design principal of Terreform ONE].

Methanescraper

By:  | April - 29 - 2019

First Place
2019 Skyscraper Competition

Marko Dragicevic
Serbia

Abstract
Basing its foundations on the outlines of the Belgrade city, the new infrastructure generated on the left bank of the Danube river aims to establish a balance in hypothetical context of environmental and social imbalances by forming a new socio-industrial element in the form of a new city district. This new urban structure, District 3, can be defined as an anticipated context of overpopulation and mass urbanization, where the complex of vertical landfill systems serves as a response to the ever-growing amounts of disposable waste, shortage of natural resources and usable space, transforming informal Belgrade structures into the mechanism of material, economic and societal recycling. Read the rest of this entry »

Airscraper

By:  | April - 29 - 2019

Second Place
2019 Skyscraper Competition

Klaudia Gołaszewska, Marek Grodzicki
Poland

The task of adapting cities to the impacts of air pollution is of great importance – megacities with their dense population, high traffic congestion and increasing CO2 emissions face major air pollution problems. Beijing is an alarming example of this problem. On certain days the city becomes nearly ‘uninhabitable’ due to dangerous levels of pollution. Around 1 million premature deaths per year, is a clear manifestation of this. Can architecture solve or help to alleviate the problem? Can we take one step further from Le Corbusier’s house as a machine for living, towards the skyscrapers as a machine for survival? Read the rest of this entry »

Third Place
2019 Skyscraper Competition

Zijian Wan, Xiaozhi Qi, Yueya Liu
United Kingdom

 

At multiple times in history and over different periods, the blue planet successfully breeds diversity of species at every inch on land and has experienced a level of natural climate change variability. The complex components of the ecosystem are undergoing constant changes, while a dynamic balance is getting harder to maintain. Seeing the latest period of rising global surface temperatures is without precedent indecent years, as well as the conflictive relationship between human activity and habitat degradation, the conservation of wildlife should not be ignored. In general, the entire ecosystem on earth is experiencing a hard time. If society continues the current trend of apathy, we are doomed towards a very bleak future. Read the rest of this entry »

Vertical Sustainable City

By:  | April - 29 - 2019

Honorable Mention
2019 Skyscraper Competition

BKV Group
United States

Titled “The Vertical Sustainable City,” the supertall skyscraper concept is an expression of the opportunities and constraints urbanistic contexts present to architects. Juxtaposing the idea of a sprawling, urban development, the vertical shape of the tower is a direct response to minimizing the structure’s footprint. The ground floors house commercial areas framed within a vertical mall concept, with a Food Production area directly above where residents and visitors are treated to a vertical, urban farm. Traditionally, agriculture is trucked into cities from rural areas, but this tower posits a farm-to-table experience where food can be grown, harvested, and consumed on-site in a single, vertical structure. Having access to the vertical farm are residences in the upper half of the tower that also feature access to drone landing pads. There, electric and solar-powered drones can dock at or near the elevated housing units – taking traffic off the congested street-level, and into the air. Rising to the very top of the tower is the Office Area, arranged around wind turbines generating energy, reducing the tower’s carbon footprint, and creating water collection systems for the farming, living, and working programs. En masse, the Vertical Sustainable City creates a holistic live/work/play environment for urbanites, effectively responding to the context and elements impacting modern-day cities. Read the rest of this entry »